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The Big Sky
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Directed by Howard Hawks
The Big Sky is based on a popular novel by A.B. Guthrie. Kirk Douglas and Dewey Martin play a pair of Kentucky frontiersmen who embark upon the first keelboat trip up the Missouri River way back in 1830. Joining Douglas and Martin are Martin's grizzled old uncle Arthur Hunnicutt and garrulous Frenchman Steven Geray. Running afoul of various Indian tribes, Douglas nonetheless romances Sioux princess Elizabeth Threatt (their off-screen relationship was on the kinky side, as an embarrassed Douglas reveals in his autobiography). Director Howard Hawks leavens the Boys' Own Adventure atmosphere of the film with a few isolated comic sequences, including a sidesplitting scene in which Douglas' gangrenous finger is cut off. Produced for RKO Radio by Hawks' own Winchester Pictures, The Big Sky was released at 141 minutes, though the TV print runs 122 minutes. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The Big Sky falls short of being the classic it wants to be, but it's a good film nonetheless. Part of its problem is simply its length: it goes on too long and, especially in the middle section, doesn't always seem to know where it's going. While it would be nice to think that this was director Howard Hawks' clever way of commenting on the characters' actual journey, where being in alien territory made them feel they didn't know where they were going, it's doubtful in the extreme that this is what was intended. Hawks was a sensational director; he simply didn't find the right answers to the problems confronting him with Sky. But he was absolutely the right person to direct this film, as it combined his love of rugged, manly subjects with his penchant for humor, especially of a somewhat dark vein. No one else would have filmed the amputation scene as a comedy and gotten away it (brilliantly, one might add). Hawks was blessed with a great cast; Kirk Douglas is in very fine form, and Arthur Hunnicutt deserves the plaudits he received for stealing the film away from its stars. And Russell Harlan's cinematography is beautiful and evocative. ~ Craig Butler, All Movie Guide
 

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