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The Barbarian Invasions
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Directed by Denys Arcand
Director Denys Arcand revisits the situations and relationships that informed his international breakthrough The Decline of the American Empire with this dialogue-driven character study. Set 17 years after Decline, The Barbarian Invasions, like its predecessor, examines the varying politics -- economic, personal, and sexual -- at play among an aging group of friends, lovers, and ex-spouses. This time around, leads Remy (Rémy Girard) and Louise (Dorothee Berryman) are divorced, with their son Sebastien (Stéphane Rousseau) living in capitalist splendor in London. But the slightly estranged family is brought together by Remy's losing battle with terminal cancer, and the hedonistic, ex-radical father and straight-laced son have to overcome their differences. Along the way, Remy waxes nostalgic with many of the same pals who made up the dinner party of the first film. ~ Michael Hastings, All Movie Guide
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JimBellJimBell The Barbarian Invasions
by JimBell in JimBell Blog
lost interest.
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"The Barbarian Invasions would get my vote as one of the most over-rated movies. Although critics loved this French Canadian follow-up to The Decline and Fall of the American Empire, I just did not get it. This lecherous history prof is dieing in [More]
tadivtadiv What do you think will be on th ...
by tadiv in Telluride Film Festival 2008
"Let's have some fun trying to finger exactly what films will be on the 2007 program. My first guess is the new film by Denys Arcand titled (in English) The Age of Ignorance. It was in Cannes this year and Telluride screened the other two parts of his "triligy", The Decline of the American Empire and [More]
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Review by All Movie Guide
All Movie Guide
liked it.
The Barbarian Invasions is a sequel of sorts to The Decline of the American Empire, though it's not absolutely necessary to see both of these Denys Arcand films to understand and appreciate The Barbarian Invasions on its own merits. Like the earlier work, The Barbarian Invasions is an entertaining mix of intellectual musings, humor, and bawdy sexual repartee, all of these elements often mixing together to varying degrees. There's also much engrossing dialogue, as well as excellent ensemble acting. It's a more sentimental film, however, particularly in its latter portion, as the main character faces the inevitability of his impending death, cosseted as best he can be by flawed but sympathetic friends and family. There are plenty of fine scenes here, ranging from pointed (and funny) satire of Canadian institutional bureaucracy in hospitals, law enforcement, and unions to more serious vignettes of ruptured families and a young junkie (played with gaunt believability by Marie-Josée Croze) struggling with a heroin problem. If there's any reservation to be expressed about the film's quality, it's that some threads are left dangling, not just in terms of plot resolution, but also in the moral questions that Arcand often examines. Though the dying Rémy Girard is clearly a mixed bag of amusing, brainy raconteur and philandering cocksman, he seems to reach a rapprochement with his materialistic son Stéphane Rousseau rather too easily. In addition, the serious flaws and repercussions of the son's attitude -- putting everything right for Girard to leave the world in loving comfort by basically buying and bribing whatever and whoever he can -- are left mostly untouched. The stirrings of a possible romance between Rousseau and Croze are only tantalizingly dangled as well. Of course, a premature death often leaves many such loose ends, and The Barbarian Invasions is a worthy look at a man forced to ponder the weightiest of questions too soon, even if some of them aren't wholly answered. ~ Richie Unterberger, All Movie Guide
 

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tadiv
tadiv
loved it.
tlemus
tlemus
loved it.
lawgrrl07
lawgrrl07
loved it.
JimBell
JimBell
lost interest.