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The Arrival
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Directed by David N. Twohy
A shy radio telescope operator named Zane Ziminski (Charlie Sheen) picks up a series of regular signals coming from space -- and deliberately pointed toward Earth. Convinced that he has discovered alien transmissions, Ziminski is first chastised and then fired by his boss (Ron Silver). Obsessed, he builds a makeshift radio telescope in his house to find out where the signals were sent. Convinced that they're intended for aliens already hidden on Earth, he tracks them to a bleak, isolated Mexican village, where he joins forces with a female scientist (Lindsey Crouse), who has suspicions of her own after witnessing an acceleration of global warming. The villagers turn out to be aliens, and the village a front for an underground alien complex. The aliens are here to "terraform" Earth and prepare it for the arrival of the rest of their race, who will die unless they leave their homeworld and colonize elsewhere. Only Ziminski can stop them. Written and directed by David N. Twohy, The Arrival is a throwback to the genre chillers of the '50s. ~ Don Kaye, All Movie Guide
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PuhnnerPuhnner walk with knees backwards
by Puhnner in Puhnner Blog
loved it.
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"This one is great, especially 'SPOILER' when the alien walks away with its knees bending in the opposite direction as ours; give yourself a treat and see it for that and to watch all the believers dispatched quickly by those witty, wily, alien interlopers. I am very glad they chose not to stay, except in Ron Silver! " [More]
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Review by All Movie Guide
All Movie Guide
lost interest.
In his sophomore directorial effort, screenwriter David Twohy creates yet another underrated, inventive science fiction adventure, one of the very few solid films for star Charlie Sheen in the 1990s. Twohy has a lot of fun with the conventions of his genre, spinning old saws such as alien invasion, terraforming, and the obligatory protagonist paranoia into new and intelligent directions. Okay, global warming isn't all that fresh but it's more contemporary than, say, the aliens need to deplete Earth's undefined "resources," the hackneyed premise of both Independence Day (1996) and Battlefield Earth (2000) (what, the alien home worlds in those films ran out of water, beef, and coal?). If Sheen is a miscast as a tech wizard (other actors better at playing smart and available on limited budgets having been presumably unavailable), the rest of the cast is pretty sharp. Teri Polo provides her usual workmanlike performance as the supportive, attractive love interest with a twist and oily Ron Silver is typically loathsome as an up-to-no-good villain. The film's effects, while limited, are decent, while the tight script, no-frills direction, and briskly edited pace keep things moving along fast enough that one barely notices this sturdy thriller seems to have been produced on a made-for-TV budget. The Arrival (1996) might not be the biggest sci-fi spectacle of its year, having been trampled in the Independence Day onslaught, but like most of Twohy's other behind-the-camera projects, it earns the shelf-life respect it's garnering on video and cable. ~ Karl Williams, All Movie Guide
 

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john64
john64
loved it.
Puhnner
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loved it.
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