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The Animated World of John Canemaker ( )
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From Jump Rope to Jazz, the Doc ...
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"One of the jump rope powerhouses of Stephanie Johnes' Doubletime By Michelle Orange I seem to have tapped into a documentary-rich vein three days into my Tribeca tunneling, and three of them have a distinctly New York angle. A Walk Into the Sea: Danny Williams and the Warhol Factory , joins the ever-increasing canon of Warholia, but only tangentially; director Esther Robinson has attempted to eke out the story around the 1966 disappearance (and apparent suicide) of her uncle Danny, a one-time Factory denizen. Robinson gets access to a host of Factory personalities, some of whom may be remembered from their last (albeit fictional) appearance in February’s Edie Sedgwick bio-hazard, Factory Girl. The problem is that no one seems to recall the young man from Massachusetts, further proof of the solipsistic, craven opportunism fueling Warhol’s so-called family. What people like Brigid Berlin recall in detail is the emotional politics raging within Warhol’s inner circle, and the dis ... "
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Of the Airborne and Avant-Garde
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"A glimpse into Ken Jacobs' RAZZLE DAZZLE The Lost World By Eric Kohn With less than a month to go before Michael Moore unveils Sicko at Cannes, the entries at Tribeca that carry a contemporary angle look relatively tame. But looks can be deceiving, and while I Am an American Soldier: One Year in Iraq with the 101st Airborne sports an awful title, it provides far more insight than the majority of recent nonfiction offerings dealing with the current generation of troops. Following a team of young American fighters from training to overseas incursions and back again, director John Lawrence strikes a unique tone that’s both interrogative and sentimental. Shooting on low grade video and primarily employing a classic verite technique, Lawrence reveals the specific military mentality that breeds a patriotic killing frenzy. “You are looking for the prey,” one instructor tells his men (and they are all men). There are plenty of memorably awkward moments that suggest the Army lives in a ... "
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