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The American President
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Directed by Rob Reiner
This earnest, intelligent, and well-written romantic comedy is enjoyable and optimistic in classic Hollywood style, even if its idealism doesn't seem quite so credible against the cynical political backdrop of the Nineties. President Andrew Shepherd (Michael Douglas), an unabashedly liberal Democrat, is just gearing up for re-election when he meets an attractive and sharp environmental lobbyist named Sydney Wade (Annette Bening). The two fall in love and the President must soon deal with the political repercussions (Sydney is trying to get legislation through Congress), as well as the cynical machinations of Republican opponent Senator Bob Rumson (Richard Dreyfuss), who attempts to paint Sydney as a radical and use "family values" rhetoric to smear Shepherd. With the attacks affecting his standings in the all-important polls, and his love's legislation causing him headaches in the Capitol, Shepherd must decide whether he can risk continuing his relationship. A rich supporting cast, solid characterizations by Douglas and Bening, and an articulate approach make this an appealing, if not particularly weighty, study of the tensions between public and private life. ~ Don Kaye, All Movie Guide
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Review by All Movie Guide
All Movie Guide
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With the same writer, principal cast members (Martin Sheen, at least), and White House milieu, The American President might now be considered Aaron Sorkin's blueprint for his hit TV show The West Wing. Both share the same cheery liberal politics, portraying a near-perfect president fending off his dirty conservative opponents while staying out of the gutter himself. Michael Douglas shines in the title role, showing he really can be loveable after the better part of a decade playing greedy capitalists and scuzzy detectives. But he's just a little too wonderful, with the perfect comment for any situation, for the film to seem like a nuanced character study. Similarly spotless is Annette Bening as his lobbyist girlfriend, whose combination of attack-dog confidence and starry-eyed romanticism make for the complete image of a modern woman, so self-actualized that even the president's teenage daughter loves her at first meeting. It's difficult to believe that dating such a woman would cause the beloved widower's approval rating to drop 20 points, especially in this day and age. These extremes get at the underlying problem of what is otherwise a smart, engaging, and enjoyable film -- it's too afraid to show any chinks in the armor of its good guys, which turns the villains (like Richard Dreyfuss's cackling fear-monger) into similarly one-dimensional symbols. But these sins can be forgiven, because it's great fun to get a realistic look at the behind-the-scenes life of a president, so unwittingly removed from the regular-guy things he loves that he can't even order flowers for his girlfriend without sending it through a committee. This inspires a string of funny moments that propel the film, making it a delightful movie-going experience -- at least for those who agree with its politics. ~ Derek Armstrong, All Movie Guide
 

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