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The Age of Innocence
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Directed by Martin Scorsese
In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, All Movie Guide
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"Despite the fact that I am often told that I have poor attention span, I had no problem getting caught up in Martin Scorsese's almost unbearably beautiful costume drama The Age of Innocence. I know that a lot of people find this film boring, but I wasn't among them, being drawn into a world that used to exist but is now gone forever.< " [More]
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by marymcilwain in Dollar Video Curator
loved it.
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"The polite society of nobility may seem an endless parade of teas, whispers, nods and dueling; boring, predictable. But in the glamorous world of the rich, cinched and nasty, they fuck others over as well as the rest of us more poorly dressed saps. Whereas the least fortunate of us end up perhaps in county lock-up, a pauper’s grave, or serving on jury duty, the wrong steps of an upper-class naughty-kin, could end perhaps in public shame at the Opera, or as the butt of everyone’s socia " [More]
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filmgal81filmgal81 Re:The List!
by filmgal81 in Heroines in Hollywood
"The two films I'd like to discuss star Winona Ryder in two very different roles: The Age of Innocence and Bram Stoker's Dracula. The Age of Innocence deals with many themes of early 20th century life, but specifically of the suffocation of women at that time. May Welland ( Ryder) is supp " [More]
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Review by All Movie Guide
All Movie Guide
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The 1990s brought a number of films about forbidden romance in Victorian society. Apart from the contributions of James Ivory and Ismail Merchant, as well as Titanic and The Wings of the Dove, there was this beautifully acted, impeccably directed effort from Martin Scorsese. Repression and sexual longing are the order of the day, but Scorsese is too clever a filmmaker to allow Edith Wharton's themes of sacrifice and passion to lead him into melodrama. The film is about those things, but it is also a story about social and familial responsibility, one of the very few of its type in which the conventions of the time don't seem laughably hypocritical. These people are indeed playing emotional chess, and they are being very careful, because every move means a loss of one form or another. The cast is terrific and the production design is gorgeous, but -- like many of the public charades its characters are forced to enact -- there is more to this film than appearances. ~ Robert Firsching, All Movie Guide
 

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