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The 400 Blows
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Directed by François Truffaut
For his feature-film debut, critic-turned-director François Truffaut drew inspiration from his own troubled childhood. The 400 Blows stars Jean-Pierre Léaud as Antoine Doinel, Truffaut's preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble), Antoine frequently runs away from both places. The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (Albert Remy) to finance his plans to leave home. The father angrily turns Antoine over to the police, who lock the boy up with hardened criminals. A psychiatrist at a delinquency center probes Antoine's unhappiness, which he reveals in a fragmented series of monologues. Originally intended as a 20-minute short, The 400 Blows was expanded into a feature when Truffaut decided to elaborate on his self-analysis. For the benefit of Truffaut's fellow film buffs, The 400 Blows is full of brief references to favorite directors, notably Truffaut's then-idol Jean Vigo. The film won the 1959 Best Director prize at the Cannes Film Festival, even though Truffaut had been declared persona non grata the year before for his inflammatory comments about the festival's commercialism. ~ Hal Erickson, All Movie Guide
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"I find it difficult to talk to my peers about this film - they only see it as a old, boring French film with really long, boring takes that go nowhere. I couldn't disagree with them more. The literal coldness of the film (it obviously takes place in the winter season) matches the chilliness of Antoine's parents and teachers, who completely misunderstand and label him as a misfit. There seems to be no hope for Antoine, as even when he earnestly attempts to become a better student, his att " [More]
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"The Antoine Doinel films follow the Doinel character from boyhood to manhood with 400 Blows, Antoine and Colette, Stolen Kisses, Bed and Board, & Love on the Run. Even though this is not a documentary like the Seven Up films, I got a similar feeling watching the same actor portray the same character within a 20+ year period. It is very interesting to watch a real actor grow up on film. " [More]
tadivtadiv Re:Which of these from Tim Out' ...
by tadiv in Movie Polls
"What a great poll - really tough choices... I had to review my ratings for the six that I have seen... My vote is cast for The 400 Blows. Tom " [More]
RisseladaRisselada Re:Which of these film movments ...
by Risselada in Movie Polls
"[quote user="pippin06"] This is out of my league too. I consider myself an average to above average filmgoer/viewer but am not sure if I've seen anything in any category (maybe I have and I didn't know it...but maybe not). Like I said, I saw a lot of French films in college, but who knows if they fall under New Wave or something like that... ...but maybe we could somehow start a discussion somewhere where people schooled in these film schools could make recomm " [More]
leeroy711leeroy711 Weekly Theme for July 29: Locke ...
by leeroy711 in Weekly Theme
"I got this idea from watching The 400 Blows this weekend. It only took me about 5 minutes to come up with a pretty long list of films that have to do with being incarcerated in some sense. Some films use this setting as the backdrop of some grave injustice such as false accusation such as Jim Sheridan’s fantastic film, [More]
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Review by All Movie Guide
All Movie Guide
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Dedicating the film to his mentor André Bazin, 27-year-old critic-turned-director François Truffaut put his critical views into practice in his debut feature, The 400 Blows (1959). Unlike the French "Tradition of Quality" literary adaptations that he reviled, Truffaut looked to his own childhood for the source of Antoine Doinel's delinquent exploits in The 400 Blows, evoking Jean Vigo's Zero for Conduct (1933). Inspired by the stylistics of favorites like Orson Welles and Jean Renoir, Truffaut's moving camera and long takes, combined with location shooting and natural sound, lent Antoine's tribulations a fresh, fluid immediacy that caught critics' and audiences' attention. His innovative final freeze-frame suspending Antoine in an indeterminate future spawned numerous imitations. The Cannes Film Festival gave The 400 Blows the Best Director prize one year after banning Truffaut for his critical harshness; the New York Film Critics' Circle awarded it Best Foreign Film. Released the same year as Alain Resnais' Hiroshima Mon Amour and Jean-Luc Godard's Breathless, The 400 Blows' international success helped put Truffaut at the forefront of the nascent French New Wave. He would continue Antoine Doinel's story in three more features, Stolen Kisses (1968), Bed and Board (1970), Love on the Run (1979), and one short, Antoine and Colette (1962). ~ Lucia Bozzola, All Movie Guide
 

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