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The Conversation
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Made between The Godfather (1972) and The Godfather Part II (1974), and in part an homage to Michelangelo Antonioni's art-movie classic Blow-Up (1966), The Conversation was a return to small-scale art films for Francis Ford Coppola. Sound surveillance expert Harry Caul (Gene Hackman) is hired to track a young couple (Cindy Williams and Frederic Forrest), taping their conversation as they walk through San Francisco's crowded Union Square. Knowing full well how technology can invade privacy, Harry obsessively keeps to himself, separating business from his personal life, even refusing to discuss what he does or where he lives with his girlfriend, Amy (Teri Garr). Harry's work starts to trouble him, however, as he comes to believe that the conversation he pieced together reveals a plot by the mysterious corporate "Director" who hired him to murder the couple. After he allows himself to be seduced by a call girl, who then steals the tapes, Harry is all the more convinced that a killing will occur, and he can no longer separate his job from his conscience. Coppola, cinematographer Bill Butler, and Oscar-nominated sound editor Walter Murch convey the narrative through Harry's aural and visual experience, beginning with the slow opening zoom of Union Square accompanied by the alternately muddled and clear sound of the couple's conversation caught by Harry's microphones. The Godfather Part II and The Conversation earned Coppola a rare pair of Oscar nominations for Best Picture, as well as two nominations for Best Screenplay (The Godfather Part II won both). Praised by critics, The Conversation was not a popular hit, but it has since come to be seen as one of the artistic high points of the decade, as well as of Coppola's career. Its atmosphere of paranoia and suspicion, combined with its obsessive loner antihero, made it prototypical of the darker "American art movies" of the early '70s, as its audiotape storyline also made it seem eerily appropriate for the era of the Watergate scandal. ~ Lucia Bozzola, All Movie Guide
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civexcivex The Conversation
by civex in civex Blog
liked it.
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"This may be the best Seventies paranoia film, chock full of astounding actors: Gene Hackman, John Cazale, Frederic Forest, Cindy Williams, Teri Gar, Harrison Ford, Robert Duvall, and others. This was written and directed in 1974 by Francis Ford Coppola, and Coppola and his actors were at the height of their talents. Hackman plays Harry Caul, a surveillance expert who has caused the death of at least one innocent person and may be on the threshold of the deaths of other innocents. O " [More]
usesoapusesoap 'Eye' sore
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"Shia LaBeouf and director D.J. Caruso reworked Hitchock's “Rear Window” for the teen set with adequate results in last year's “Disturbia.” With “Eagle Eye,” the two return in an attempt streamline Franc " [More]
atactaatacta The Lives of Others
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loved it.
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"A companion piece to Black Book only for the significant contribution of Sebastian Koch as Georg Dreyman. But Ulrich Mühe takes the film and its heart. In a way Hauptmann Gerd Wiesler is a poor man's Oskar Schindler but in this case - he " [More]
KarinaKarina Conversation at AMC. Trade Roug ...
by Karina in Karina on SpoutBlog
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"Ostensibly looking to replicate the success of their existing, cinema-inspired period series, AMC is planning to spin a series off of Francis Ford Coppola’s 1974 film, The Conversation. The original is topical, says producer Erik Jendresen. “Watching " [More]
SpoutBlogSpoutBlog Conversation at AMC. Trade Roug ...
by SpoutBlog in SpoutBlog on spout.com
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"Ostensibly looking to replicate the success of their existing, cinema-inspired period series, AMC is planning to spin a series off of Francis Ford Coppola’s 1974 film, The Conversation. The original is topical, says producer Erik Jendresen. “Watching " [More]
Smooth_JSmooth_J Re:Weekly Theme for January 19: ...
by Smooth_J in Weekly Theme
"What if it's drug-induced? Raoul Duke seems to think everyone's out to get to get him--not just people he knows, but stuff that he can't even comprehend. Costa-Gavras' Missing (can't find the link) has some of the emerging-regime-in-South America spooky stuff, with people getting taken to a giant stadium and interrogated/killed. I guess " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Though it was commercially lost in the shuffle between The Godfather and The Godfather Part II, The Conversation ranks among the finest films of Francis Ford Coppola's career. Drawn on a more intimate canvas than the Godfather epics or Apocalypse Now, it's a compelling and expertly constructed chamber piece about the nature of privacy and the troubling gray area between facts and truth; it was also remarkably prescient, coming out just as the Watergate scandal was making surveillance a major issue in the American consciousness. Gene Hackman delivers a typically expert performance as Harry Caul, who makes his living finding out what others are doing. As a consequence, Caul has become an obsessively private man haunted by guilt and incapable of trusting anyone, and Hackman and Coppola mold him into an indelible character whose moral and professional sides are at constant war. Coppola also used his soundtrack with uncommon intelligence; in a decade in which the attention paid to film sound would increase by leaps and bounds, The Conversation was a breakthrough in using its soundtrack not just to convey dialogue and music but to deepen the story, as well as providing the ultimate screen example of the adage, "It's not what you say, it's how you say it." The Conversation is a subtle film that best reveals its details through repeat viewings, though even on a first viewing it's a brilliant cautionary tale whose message has become all the more potent with the passage of time and the further rise of technology. ~ Mark Deming, All Movie Guide
 

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