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Tender Is the Night
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Directed by Henry King
David O. Selznick had intended to film an adaptation of F. Scott Fitzgerald's Tender is the Night as a vehicle for his wife Jennifer Jones. But financial difficulties compelled Selznick to sell the property (including Ms. Jones' services) to 20th Century-Fox. Jones stars as a wealthy but disturbed woman of the 1920s who marries her psychiatrist (Jason Robards Jr.). They live together at her Riviera estate, where the doctor's analytical skills atrophy. As Jones grows stronger, the doctor becomes totally dependent upon her emotionally and financially. The film's supporting characters are equally self-destructive, notably an alcoholic composer (Tom Ewell) and Jones' avaricious sister (Joan Fontaine). Perhaps if Selznick had produced Tender is the Night, the film wouldn't have wallowed in misery for its own sake; on the other hand, we still would have been stuck with Jennifer Jones, who is woefully miscast. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The works of F. Scott Fitzgerald do not translate easily to the screen, and Tender Is the Night, while not a bad movie, is no exception. Ivan Moffat does a decent job of adapting this difficult work, but inevitably the characterizations are not as sharply observed, and the nuance that is so essential is often lost; as a result, the motivations of the characters are unconvincing, coming across at times as very murky and at others as over simplified. More damaging is the miscasting of Jennifer Jones, whose role is the linchpin of the entire project. Jones simply does not have the range required to tackle this character, and she falls back on mannerisms that quickly become annoying. There's also too little chemistry between her and Jason Robards Jr., who himself gives a performance that feels only half-hearted. Much better is Joan Fontaine, grabbing hold of a secondary part and giving it her all -- and seeming to enjoy herself tremendously at the same time. The film is overlong, but it also is lavishly produced, with some stunning Leon Shamroy cinematography, including some glorious sweeps across the Riviera that are just stunning. The technical work, as a matter of fact, is so good that it compensates for a great many of the movie's flaws. ~ Craig Butler, All Movie Guide
 

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