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Ten Little Indians
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Directed by George Pollock
The third of many film and TV adaptations of the popular Agatha Christie novel And Then There Were None (Ten Little Indians is the title of the American edition, the hit play, and most of the movies), this 1965 version moves the action from a remote island to an isolated ski resort and otherwise rearranges the plot. The basic premise, however, remains the same. Ten strangers, eight of them guests and two of them servants, are lured to a dinner party and then trapped there to be killed one at a time by an unseen host who wishes to punish them for their disparate perceived crimes. The old nursery rhyme provides both the framing device, and, in the source material, the method of execution for each victim. In this version, however, the revised murder scenes include a hapless servant (Marianne Hoppe) falling to her death from a booby-trapped ski lift. Ten Little Indians features a varied cast that ranges from future Bond girls Shirley Eaton and Daliah Lavi to former teen idol Fabian and former Wyatt Earp TV star Hugh O'Brian. It also reunites My Fair Lady co-stars Stanley Holloway and Wilfrid Hyde-White. The film was the final directorial effort of George Pollock, who had previously helmed several adaptations of Christie's popular Miss Marple mysteries, starting with 1962's Murder, She Said. Christopher Lee makes an uncredited appearance as the recorded voice of absentee host/villain Mr. Owen. Despite its mountain setting, the picture was filmed in Ireland. ~ Brian J. Dillard, All Movie Guide
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Review by All Movie Guide
All Movie Guide
disliked it.
Dumbed down, wooden, and possessed of an ersatz "swinging '60s" feel, this Agatha Christie adaptation nevertheless remains watchable thanks to the old biddy's sturdy plot twists and the borderline camp appeal of the remarkably varied international cast. Although the source material has been leavened with premarital sex, gruesome murder scenes, and a Eurotrash setting, such second-stringers as Fabian and Shirley Eaton give the proceedings a TV-movie air, thereby saving director George Pollack from committing the worst sin of all: treating this patently silly tripe like a serious film. Shot in drab black-and-white, the movie looks like it was staged in a cavernous, leftover set from a glitzier spy thriller. Nevertheless, the pacing is brisk and the twists and turns engaging enough that 90 minutes go by rather painlessly. Christie's novel recieved a higher-concept treatment in René Clair's 1945 And Then There Were None. ~ Brian J. Dillard, All Movie Guide
 

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