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Sweetie
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Directed by Jane Campion
Australian filmmaker Jane Campion directs the darkly humorous family drama Sweetie. Thin and mousy Kay (Karen Colson) works in a factory and lives a dreary existence with her well-meaning boyfriend, Louis (Tom Lycos). One day, her sister Dawn (Genevieve Lemon) arrives with her so-called manager, Bob (Michael Lake). Nicknamed Sweetie, Dawn is everything Kay is not: boisterous, impulsive, and overweight. Kay is consumed with uptight phobias, while Dawn hangs on to her unrealistic childhood dreams of show business. Meanwhile, their parents, Gordon (Jon Darling) and Flo (Dorothy Barry), are involved in a strange separation. Kay, Louis, and Gordon trick Dawn so they can visit Flo at a ranch in the Australian outback. Everyone gets together back at the family home where Dawn pulls an immature stunt, exposing the psychological realities of the situation. ~ Andrea LeVasseur, All Movie Guide
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Reggi53Reggi53 Sweetie
by Reggi53 in Reggi53 Blog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"I saw this film when it was first released here in the US. The characters were well=crafted, and the performances were as well. If memory serves me correctly, the ending of the film is sort of anti-climatic, but I overall enjoyed although, for awhile, I started to wonder about Australian society. I get a lot of lottery mail from them. This film was not a gamble. But she was sort of an over-aged Australian Shirley Temple--she never saw past her youthful notion and " [More]
Reggi53Reggi53 Sweetie
by Reggi53 in Reggi53 Blog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"I saw this film when it was first released here in the US. The characters were well=crafted, and the performances were as well. If memory serves me correctly, the ending of the film is sort of anti-climatic, but I overall enjoyed although, for awhile, I started to wonder about Australian society. I get a lot of lottery mail from them. This film was not a gamble. But she was sort of an over-aged Australian Shirley Temple--she never saw past her youthful notion and " [More]
KarinaKarina Criterion Puts Movies Online
by Karina in Karina on SpoutBlog
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"The Criterion Collecton has opened up an online streaming shop, where twenty films can currently be watched online for $5. Your five dollars gives you the right to watch the film as many tines as you like for a week, and for a full year after that they’ll apply a $5 credit to the purchase of that DVD from their online store. T " [More]
SpoutBlogSpoutBlog Criterion Puts Movies Online
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"The Criterion Collecton has opened up an online streaming shop, where twenty films can currently be watched online for $5. Your five dollars gives you the right to watch the film as many tines as you like for a week, and for a full year after that they’ll apply a $5 credit to the purchase of that DVD from their online store. T " [More]
analogzombieanalogzombie The Rage in Placid Lake
by analogzombie in analogzombie Blog
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"Director Tony McNamara’s debut feature, The Rage in Placid Lake is a mixed bag. It instantly conjures comparisons to any number of American and Australian indie coming of age comedies, I (heart) Huckabees, Sweetie, Igby Goes Down and Rushmore, being the most obvious. Like those films, it shares a central character adrift in self crisis as he begins to navigate the adult " [More]
Dana_KDana_K Early Campion Re: Top 5 Movies ...
by Dana_K in Filmspotting
"I'm not sure I've seen that ... maybe at a fest. But early Campion movies that are really worth looking at again today include Sweetie and An Angel at My Table. I'm not t " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Writer/director Jane Campion garnered worldwide attention at the 1989 Cannes Film Festival with her first full-length feature, the alternately whimsical and disturbing Sweetie. This color-saturated tale of two sisters -- the reserved, deliberate Kay (Karen Colston) and the uninhibited, childlike Sweetie (Genevieve Lemon) -- divided critics on its release, as it established many of the motifs that Campion would explore in her subsequent successes, An Angel at My Table and The Piano. When the film begins, Kay's sad-sack demeanor and passive behavior appear to be dissolving as she starts to take control of her life -- that is, until the younger Sweetie turns up on her doorstep. Lemon's performance is something to behold: She's a pale, fleshy Freudian nightmare in heavy eye makeup, prone to histrionics and sly turns of seduction. Without resorting to textbook feminist indictments of male culture, the film charts the havoc a husband's indifference and a father's misguided attention can play on the emotional development of two very different women. Campion would later use Lemon in The Piano and Holy Smoke. ~ Michael Hastings, All Movie Guide
 

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