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Sweet Sweetback's Baadasssss Song
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Directed by Melvin Van Peebles
Produced, directed, written, scored by, and starring Melvin Van Peebles, this landmark "blaxploitation" film was as controversial as it was popular for its then X-rated story of one African-American man's triumph over the Man. After beating a couple of white cops he witnessed brutalizing a local black revolutionary, sex show performer Sweetback (Van Peebles) has to go on the run. As he flees through decrepit South Central Los Angeles, Sweetback demonstrates his formidable potency through sex as well as violence, evading the police manhunt by any means necessary. As Sweetback runs off into the sunset, however, Van Peebles warns that the story, like the 1960s racial strife, isn't over. ~ Lucia Bozzola, All Movie Guide
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"Most people who watch Blaxploitation movies do so with tongue firmly in cheek. They laugh at the clothes, the music, the hairstyles, the bad special effects, and the usually out of place nudity. I must admit that I too, am guilty of the same sort of kitsch exploration that prompts many to pick up a copy of Detroit 9000, or [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Financed and distributed outside the major Hollywood studio apparatus, Sweetback not only broke the rules of Hollywood structure with its energetic montages and jump cuts, it also revealed the financial force of the African-American audience. With its powerful African-American hero expressing rage at the white world in a story starring "the Black Community," as opposed to Hollywood's de-sexed paragons of African-American dignity, the five-hundred-thousand dollar Sweetback grossed more than ten million dollars in 1971, almost all of it from African-American viewers. Driven more by profits than political awareness, the Hollywood studios swiftly followed the example of Sweetback with a wave of early '70s blaxploitation movies, such as Shaft (1971) and Superfly (1972), cashing in by combining a black hero (or heroine) succeeding over white adversaries with copious sex and violence. However, subsequent objections from African-American critics -- that Sweetback's romanticization of the ghetto and male sexual potency was hardly the revolutionary statement Van Peebles would have it be -- also carried over to the blaxploitation formula. As far as the original, Sweet Sweetback's Baadasssss Song loses none of its positive or negative power to provoke even decades after it was made. ~ Lucia Bozzola, All Movie Guide
 

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