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Superman II
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All reviews for Superman II

    The_MOWThe_MOW For "Zod" sake, this is a good ...
    by The_MOW in The_MOW Blog
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    "Years ago, on the planet of "Krypton", three master-criminals (Terrance Stamp, Sarah Douglas and Jack O'Halloran) were trapped and sentenced to the "Phantom Zone" for all eternity. Years later, on the planet Earth, one of the greatest criminals known, one "Lex Luthor" (Gene Hackman) escapes from prison with his dimwitted assistant "Otis" (Ned Beaty), whom eventually is left behind at the prison and is immediately captured by prison guards. "Luthor" and "Miss Teschmacher" (Valerie Perrine) go by a hot air balloon to the North Pole and discovers the "Fortress of Solitude", the secret base of "Superman" (Christopher Reeve). Meanwhile, in Paris, France, "Lois Lane" is covering a hostage situation at the Eiffel Tower, and, like always, she gets herself in trouble. "Superman" swoops in from the sky and saves her, and she informs the "Man of Steel" that the hostage takers have a nuclear bomb. "Superman" then launches the elevator that the bomb is attached to into outer space and saves the ... " [More]
    SpoutBlogSpoutBlog 5 Actors Who Shamefully Returne ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "Next week, Vin Diesel returns (along with Paul Walker, Michelle Rodriguez and Jordanna Brewster) to the Fast and the Furious franchise, which he’d abandoned after the first movie (he did have a cameo in part 3). When news first hit that he’d be reprising the role of Dominic Toretto for the fourth installment, simply titled Fast & Furious, most of us saw the actor as returning under a veil of shame. Because he initially departed the series with an inflated ego — and with it unrealistic salary demands — it does seem obvious that Diesel is now only desperately crawling back because his career failed to take off the way he’d hoped it would. This is quite sad considering not even Steve Guttenberg ever crawled back to the [More]
    SpoutBlogSpoutBlog 10 Threequels That Took a Wrong ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "The third part in Universal’s rebooted Mummy franchise takes the series in a new direction. Rather than set in Egypt and dealing again with the same old villain, Imhotep, The Mummy: Tomb of the Dragon Emperor brings us to China and gives us a different sort of preserved corpse baddie. And it looks like the change could actually add some freshness to the franchise. Of course, history would hint that such a move for the Mummy movies is a bad idea. While it seems beneficial in theory to redirect the focus of a series with the third installment, especially if the first sequel was too much a repetition of the original (a la The Mummy Returns), in practice many threequels mistakenly alter things for the worse. These aren’t necessarily the worst threequels ever made (*cough* [More]
    CinemaRianCinemaRian Superman II-Richard Donner Cut ...
    by CinemaRian in CinemaRian Blog
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    "Those of you who have faithfully read this blog from the beginning (both of you) will remember my original review of Superman II, where I complained that replacement director Richard Lester had diminished Richard Donner's mythical treatment of the Superman story with cartoonish camp, mostly played for laughs. You will also note that I explained the complicated production history of the film- that Superman I and II were supposed to be shot simulatanously, but II was abandodned in order to get I finished. When it came to complete the unfinished scenes for sequel, Donner was fired and Marlon Brando was completly cut out of the movie (his scenes were reshot with Susannah York) among many other changes. Due to a fan internet campaign and renewed interest in the series caused by the release of Superman Returns, Warner Brothers allowed Donner comeback and complete his version of the film. And you have to give them credit: they spared no expense in the restoration, with new special effe ... " [More]
    usesoapusesoap Heavy metal
    by usesoap in usesoap Blog
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    "While watching the season’s first stab at a blockbuster, “Iron Man,” I kept wondering to myself: “How long did it take lead Robert Downey Jr. to say ‘yes’ to the lead role?” “Hmmm…” Downey said in my internal monologue. “Let’s see here. The character of Tony Stark is a motor-mouthed superhero in his 40s who is a reformed substance abusing, womanizing multi-millionaire… yeah, I think I can swing that.” For the record, the total time for the above ellipses? Three seconds. Regardless of past demons, the film is what it is solely because of what Downey brings to the table. I have always pitied the poor directors who decide to sign on to a superhero comic-book adaptation. They face pressure and scrutiny from more than the average release audience. Th " [More]
    SpoutBlogSpoutBlog Coca-Cola Cinema
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "This morning I was watching Billy Wilder’s One, Two, Three (see, readers, I do know movies before 1990), and it made me wonder if Coca-Cola is the most cinematic commercial product in the history of film. Not the most prominent in film, necessarily (in terms of either direct product placement or more casual indirect appearance,) but at least the most significant to film. After all, Coca-Cola did own a movie studio (Columbia Pictures) for the greater part of a decade (the 1980s). In addition to One, Two, Three, which is about a Coca-Cola executive in West Berlin, the soft drink figures specifically in and fundamentally to the plots of The Gods Must Be Crazy, Good Bye Lenin! and, obviously, The Coca-Cola Kid. But primarily, such direct incorporations of the brand are more about their connection to the U.S. and capitalism than they are to the " [More]
    toltol srets'
    by tol in tol Blog
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    "gdffgxdfzsd " [More]
 
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