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Suddenly, Last Summer
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In this lush, lurid adaptation of the 1957 Tennessee Williams one-act, Elizabeth Taylor and Katharine Hepburn play a seemingly insane, young New Orleans debutante and the wealthy aunt who wants to lobotomize her. Dr. John Cukrowicz (Montgomery Clift) is a gifted Chicago brain surgeon stymied by the primitive operating conditions at the New Orleans asylum where he works. Society matron Violet Venable (Hepburn) offers a solution in the form of a million-dollar grant -- as long as Cukrowicz will treat her niece, Catherine (Taylor). Catherine, it seems, has been institutionalized since the sudden death of her cousin, Violet's son, Sebastian, overseas the previous summer. As the young doctor tries to get to the bottom of what happened to Catherine, Violet's steely demeanor and devotion to Sebastian present a formidable barrier. Catherine herself doesn't offer much help, her recollections jumbled by medication and the trauma of Sebastian's demise. Under pressure to seal the deal and cut into Catherine's brain, Cukrowicz's principles (and attraction to the young woman) prevent him from proceeding until he uncovers what actually happened to Sebastian. In his memoirs, Gore Vidal claims to have written the screenplay for Suddenly, Last Summer single-handedly, although Williams took half the credit. Vidal toned down the original play's allusions to pedophilia, cannibalism, and incest, but the film nonetheless provoked heated controversy. As for the cast, an unhappy Hepburn reportedly was threatened by the attention lavished on Taylor by director Joseph L. Mankiewicz, whom Hepburn had hired to produce The Philadelphia Story two decades earlier. Mankiewicz, for his part, allegedly hated Clift, whose drinking and partial paralysis from an auto accident prevented him from working more than half a day at a time. ~ Brian J. Dillard, All Movie Guide
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1 out of 1 people found this review helpful. [What do you think?]
"Shrooms was the big surprise of Friday the 13th. It was really good. The cover box looked terrible, the description - a group of kids go to Ireland just to eat Mushrooms and then don't know whether or not they are hallucinating ghosts - sounded pretty lame. But the effects were very creepy. The acting believable. And the story, especially the ghost part, was quite good up until the twist endin " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
From its gothic settings to its potent female stars and its lurid subject manner, Suddenly, Last Summer presents a mixture of operatic Southern passions and high-camp excess unequaled in American cinema. The sight of Katherine Hepburn coyly descending from on high in an ornate elevator to preside grandly over her prehistoric garden is itself enough to scare away viewers looking for anything approaching quotidian naturalism. Audiences who can stomach Tennessee Williams and Gore Vidal at their most overheated, however, will be rewarded by a film rich in nuance, beautiful language, and vivid production details. Costume and set designer Oliver Messel takes the script's over-the-top vision and runs with it; unfortunately, the film's two primary settings -- a Grand Guigol mansion and an insane asylum presided over by vicious nuns -- lose their impact after so many scenes of arch dialogue. Luckily, director Joseph L. Mankiewicz works in a few set pieces involving rooms full of drooling lunatics and a memorable finale that superimposes impressionistic flashbacks across Elizabeth Taylor's haunted face. Taylor would bring Mankiewicz down with her during the Cleopatra debacle a few years later, but here the actress' overripe sensuality and neurotic shrillness are pitch-perfect; her gurgling screams at the climax of the film provoke the sort of chills of which few performers are capable. Hepburn's duplicitous matriarch isn't as nuanced as the morphine-addicted mother she would play in her next film, 1962's epic A Long Day's Journey Into Night, but it's certainly a lot more fun, full of biting humor and scathing psychological insight. As for Montgomery Clift, his booze-soaked solemnity imbues young Dr. Cukrowicz with an almost ancient gravity. Full of studio veterans exercising their craft on a larger-than-life script whose concessions to morality do little to dull its savage power, Suddenly, Last Summer comes off like the overgrown cousin of better-groomed, more celebrated Williams fare like The Glass Menagerie and A Streetcar Named Desire. ~ Brian J. Dillard, All Movie Guide
 

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