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St. Louis Blues
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Directed by Allen Reisner
The life of legendary bluesman W.C. Handy is highly dramatized in this tuneful biopic. The story opens as his father, a minister chastises his son for playing "the devil's music." Despite his father's admonitions, Handy is drawn to the blues. He is encouraged by two disparate women, one an earthy singer from New Orleans and the other a good-hearted girl from his hometown whose main concern is Handy's happiness. Stress causes Handy to go blind for a while, but eventually he regains his sight, becomes famous for his music, and wins the respect of his father. The highlight of the film involves the performance of Handy's music by some of the great blues and jazz singers of the 1950s including Cole, Calloway, Jackson, and Fitzgerald. Songs include "Hesitating Blues," "Chantez Les Bas," "Beale Street Blues," (W.C. Handy), "Careless Love" (based on folk music by Handy; lyrics by Spencer Williams, Martha Koenig), "Morning Star," "Way Down South Where the Blues Began," "Mr. Bayle," "Aunt Hagar's Blues" (Handy; lyrics by Tim Brymn), "They that Sow" (hymn), and "Going to See My Sarah" (spiritual). ~ Sandra Brennan, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Those interested in knowing anything about W.C. Handy, the father of the blues, won't find it in St. Louis Blues. As with most Hollywood biopics, especially those concerned with musical figures, Blues plays extremely fast and loose with the truth. Why Hollywood rarely bothered to come up with an interesting story to replace the real ones it tossed aside in these pictures is a mystery; suffice it to say that Blues at least has racial issues to address (even if it does so fairly gingerly), even if it also drags out an unconvincingly crafted religion vs. entertainment debate as well. Blues does, fortunately, have Handy's music, ranging from the classic title song to such worthies as "Aunt Hagar's Blues," "Careless Love," and " "Beale Street Blues." It also has peerless performers such as Mahalia Jackson, Ella Fitzgerald, Cab Calloway, and Nat "King" Cole working their magic on them. Cole, of course, is not really the right performer for Handy's material, despite his titanic talent, and nor is he the best actor for the part; however, his own charm and charisma carry him over the miscasting, and he gets very able support from the likes of Pearl Bailey and Eartha Kitt to help everyone over the bumpier parts. As long as you're not looking for authenticity, Cole and company make St. Louis Blues an enjoyable enough way to pass an a hour and a half. ~ Craig Butler, All Movie Guide
 

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