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Sour Grapes
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Directed by Larry David
Sitcom veteran Larry David, the co-creator of TV's Seinfeld, made his big-screen directorial debut with this clever comedy featuring distinct Seinfeld overtones. Sour Grapes was released April 17, 1998, only four weeks prior to the last Seinfeld episode. Selma Maxwell (Viola Harris) is the adoring mother of boyish, fun-loving shoe designer Richie (Craig Bierko), who would like to see his more-mature cousin Evan (Steven Weber), a respected neurologist, enjoy himself more. So the two head for Atlantic City for a gambling weekend. They lose heavily at the tables and soon are down to pocket change at the slot machines. After Richie inserts his last quarter, he asks Evan for two coins to go a final round. The spinning cylinders land on three grape clusters, triggering alarms, flashing lights, and a $400,000 jackpot. Richie is ecstatic. But Evan feels that since the win was made with his quarters, he deserves 50%. Richie refuses, and heady with power, Richie soon turns nasty and is fired after he insults his boss. Richie's girlfriend Roberta (Robyn Peterman) suggests he settle down and give Evan something, while Joan (Karen Sillas) wants Evan to drop his money demands. An attempt to renew the friendship goes awry when Richie finds Evan's jogging-suit gift ludicrous, while Evan becomes incensed by an offer of only 3% of Richie's $400,000. The film's score punctuates the escalating conflict with witty excerpts from familiar classical compositions. ~ Bhob Stewart, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
It's difficult to express the depth of sheer loathing with which this comedy from Seinfeld co-creator Larry David was greeted upon its theatrical release; "despised" would not be too harsh a phrase to describe the reaction of the typical critic. However, a tiny, drowned-out minority correctly identified the writer/director's feature debut as a viciously funny, unabashedly cynical exploration of social mores and ethics gone berserk. The film's only real flaws are a distracting, clichéd classical music soundtrack (what, they couldn't afford Randy Newman or Mark Mothersbaugh?) and a rather too-consciously familiar cast of characters. David's dark side, which resulted in many of Seinfeld's most controversial episodes, is unleashed here and he relishes making comic hay out of the most tragic situations possible, including death, terminal illness, crime, and just sheer, unexpurgated selfishness. His is a vision of humanity that may not go over like the life-affirming tonic that so many expect from the traditional lukewarm mainstream comedy, but David has to be respected as an artist sticking to his guns and giving his id free reign to invent audacious and startling material. Like Office Space (1999), another excellent but ignored late-'90s comedy from a TV show producer, Sour Grapes (1998) is a lost gem destined to be rediscovered in subsequent years on -- ironically -- television. ~ Karl Williams, All Movie Guide
 

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