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Sleuth
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The mystery stage play by Anthony Shaffer was adapted by the author into this stylish film from director Joseph L. Manciewicz. Laurence Olivier stars as Andrew Wyke, a best-selling author of detective fiction living in a grand 16th century mansion. Andrew is visited by Milo Tindle (Michael Caine), owner of a hair salon chain, and reveals to his guest that he's aware of Milo's affair with his wife Marguerite. Rather than being vengeful, however, Andrew professes he's glad to be rid of his troublesome spouse. To avoid paying heavy alimony, Andrew suggests that Milo disguise himself as a clown and steal his wife's expensive jewelry. That way Marguerite and Milo can obtain financial security while Andrew claims the loss on his insurance and all walk away rich. Andrew's plan is a devious one, however, designed to toy with his wife's lover, and a series of deceptions and counter-deceptions are launched in which nothing is as it seems, unfolding as an elaborate game of comeuppance between the two men. Ten years after Sleuth, Caine would assay a role not unlike Olivier's in the similarly-themed Deathtrap (1982). ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
This 1972 masterwork doesn't just have a surprise ending, but a surprise beginning and middle as well. Its corkscrew plot unfolds in a 16th-century English mansion owned by Andrew Wyke, an upper-class mystery writer played by Laurence Olivier. The action focuses on a battle of wits between Wyke and Milo Tindle, a lower-class owner of hair salons played by Michael Caine. When the two confront each other in the mansion over Milo's affair with Wyke's wife, the conflict begins. It's hard to decide what's more entertaining -- the repartee, the black humor, the convoluted plot, or the surprises that pop up like jack-in-the-boxes. Olivier and Caine are superb as devilishly devious opponents in a game of one-upmanship that could turn deadly at any moment. Director Joseph L. Mankiewicz pulled off a plot trick of his own to prevent audiences from guessing the outcome of the film: In the cast, he listed the names of fictional actors to fool the audience into thinking that someone would show up at a crucial moment to reverse or further the fortunes of Wyke or Tindle. ~ Mike Cummings, All Movie Guide
 

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most people
Most people
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Other opinions

Risselada
Risselada
loved it.
rik_tod
rik_tod
loved it.
LaBete
LaBete
loved it.
cgruner
cgruner
is not interested.
pokesmotter
pokesmotter
is not interested.
mercurial
mercurial
is not interested.