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Sleeper
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Directed by Woody Allen
In 1973, health-food store owner Miles Monroe (Woody Allen) enters the hospital for a routine gall bladder operation. When he expires on the operating table, Miles' sister requests permission to cryogenically freeze her brother's body. After 200 years, Miles is unwrapped by a group of scientists and awakens to a "brave new world" of deadening conformity, ruled with an iron fist by a never-seen leader. Miles is forced to flee for his life when the scientists -- actually a group of revolutionary activists -- are overpowered by the leader's police. He eludes the cops by pretending to be an android, and in this guise is sent to work at the home of Luna (Diane Keaton), a composer of greeting cards who thinks that the world of the future is perfect as it stands. There's more, but why spoil your fun? Sleeper is the most visual of Woody Allen's earlier films, and demonstrated a more pronounced rapport between Allen and his off- and onscreen leading lady Diane Keaton than had previously existed. The Dixieland score is performed by the Preservation Hall Jazz Band. ~ Hal Erickson, All Movie Guide
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The_MOWThe_MOW The laughs sleep through this one
by The_MOW in The_MOW Blog
lost interest.
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""Miles Monroe" (Woody Allen) was a clarinet playing health food store owner in 1973 who was frozen after slipping into a coma. Two-hundred years later, he wakes in a police state where people "perform" sex in an "Ograsmatron" booth and robots have replaced household help and man's best friend as well. He is hired to help the Underground to destroy this police state's "Leader" and comes across poet/artist "Luna" (Diane Keaton), whom thinks "Miles" is trying to destroy the lifestyle " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Four years before his Oscar-winning breakthrough with Annie Hall, Woody Allen was still deep in absurdist humor, and, over the course of Sleeper's 88 minutes, he wins a beauty contest, kidnaps a nose, transforms into Blanche DuBois, impersonates a robot, is strangled by a giant tape machine, battles a glob of pudding, reveals the truth about Richard Nixon, and slips on a banana peel three times his size. On a belly-laugh scale, Sleeper is one of the most enjoyable works he's ever produced. While the humor is broad, it's hardly unintelligent, delving into political and social commentary, as Allen's Miles makes his way as the lone survivor of the 20th century. Diane Keaton plays second fiddle, but she's a good straight woman and begins to display the comic flair that would soon make her famous. This was the first movie to feature Allen's love of classic jazz; the up-tempo Dixieland score by the Preservation Hall Jazz Band, with Allen on clarinet, plays a key role in propelling the movie's rip-roaring comic tempo. Woody Allen may have made more personal and moving films, but he rarely made one funnier than Sleeper. ~ Mark Deming, All Movie Guide
 

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