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Singles
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Directed by Cameron Crowe
Set amidst the burgeoning Seattle alternative music scene of the early '90s, Singles follows a group of twentysomethings as they try to find love and try to come to terms with their passage into adulthood. Arranged as an episodic comedy, the film follows a group of friends who live in the same apartment building and hang out at the same coffee shop. The central couple is Steve Dunne (Campbell Scott) and Linda Powell (Kyra Sedgwick), a pair who meet at an Alice In Chains concert and eventually fall in love. Singles follows the tumultuous relationship between Steve and Linda and their friendship with Janet Livermore (Bridget Fonda), who is trying to win the affection of grunge-rocker Cliff Poncier (Matt Dillon). The film also has a number of cameos, including actors Eric Stoltz, Tom Skerritt, Peter Horton, director Tim Burton and the film's author/director, Cameron Crowe. From the musical side of the fence, Singles features appearances by Sub Pop executive Bruce Pavitt, musicians Chris Cornell (Soundgarden), Pat DiNizio (Smithereens), Tad (Tad), and Pearl Jam's Eddie Vedder, Jeff Ament, and Stone Gossard, who play Dillon's backing band, Citizen Dick. ~ Stephen Thomas Erlewine, All Movie Guide
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unclefesteringunclefestering One of those movies that I'll a ...
by unclefestering in unclefestering Blog
hasn't rated it.
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"Almost Famous is one of those movies that will stop me from channel surfing to watch it when it is on. Although it has its flaws, it is one of Cameron Crowe's best and most personal movies. It is right up there with Singles (1992). I loved how this movie really evoked the feeling of the 70s. That mood that what was special about the 60s was slipping away. That feeling is mirrored by the gradual loss of " [More]
yojimbo73yojimbo73 Life's Soundtrack
by yojimbo73 in yojimbo73 Blog
loved it.
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"I was sitting in my jeep a few days ago looking through my iPod for something that would pick my spirits up for the drive home. Great little invention. Kinda makes that "10 albums on a desert island" thing useless. Just bring your iPod and you can have your entire collection. Anyway, I decided on the Counting Crows as it'd been years since I'd listened to them. Instantly I was transported to...I'll get to that in a minute. It made me think about " [More]
pippin06pippin06 Re:Top 5 Films of the 90s
by pippin06 in Forever Young
"[quote user="filmgal81"] ( Originally posted on the 80s Movies board, but i think it fits better here) Picking up where Seely left off, I'd like to start a list of the Top 5 Films of the 90s. Again, not necessarily cinematic genius, but films that epitomize how you remember the 90s ( or a particular part of the 90s). Here's mine: 1) Edward Sc " [More]
filmgal81filmgal81 Top 5 Films of the 90s
by filmgal81 in Forever Young
"( Originally posted on the 80s Movies board, but i think it fits better here) Picking up where Seely left off, I'd like to start a list of the Top 5 Films of the 90s. Again, not necessarily cinematic genius, but films that epitomize how you remember the 90s ( or a particular part of the 90s). Here's mine: 1) Edward Scissorhands - does anythi " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Cameron Crowe's desultory ensemble romantic comedy is less probing than his best work, but between its appealing twentysomething characters and the film's sweetly whimsical humor, it's difficult to resist. Crowe tracks the unsettled lives of a group of young people looking for love against the backdrop of the then-hot Seattle music scene, and since they all live in the same apartment complex, it's something of a Melrose Place with brains. Campbell Scott and Kyra Sedgewick, as a couple who meet in a club, connect, then waffle about their relationship while remaining absorbed with their careers, get the most screen time, but their friend's (Bridget Fonda) infatuation with a hilariously obtuse aspiring rock star (Matt Dillon) yields the film's funniest scenes and truest take on the serpentine course of love. By using an episodic, jokey structure, complete with blackouts, Crowe keeps a cool distance from anything potentially painful in the material, emphasizing the open-endedness of youthful romance. The film acutely targets the self-absorption of the two men, but seems a little too amused by the vulnerability of Fonda and Sheila Kelley as they contemplate makeover strategies in the quest for love. If by the end, Crowe seems to have had less on his mind than usual, he leaves one with a palpable sense of well-being for having spent time with these characters. ~ Michael Costello, All Movie Guide
 

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