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Shivers
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Directed by David Cronenberg
A gripping exercise in body horror and social paranoia, prolific Canadian director David Cronenberg's debut feature offers a startling look at modern isolationist society with a parasitic twist. When a scientist experimenting with a new form of organ transplants kills a young female resident of a fortress-like apartment complex before subsequently committing suicide, the investigation into her death leads to a frightening discovery. Originally conceived by the misguided scientist in a bid to aid organ transplant, an overzealous parasite quickly escapes into the complex in search of a host. One by one, the unsuspecting residents fall prey to the parasite, and the result is an aggressive horde of sex maniacs who will stop at nothing to satisfy their primal lust and pass the infection on through sexual contact. When the resident doctor learns the sinister truth behind the malevolent creation, only one man stands between an apartment complex overflowing with id-driven zombies and the outside world. Will he be able to stop the rapidly spreading parasite before it escapes into society, or is it only a matter of time until he, too, falls prey to its rapturous effects and gives in to the temptations of the flesh? ~ Jason Buchanan, All Movie Guide
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quintquint Everything is erotic
by quint in An inordinate number of peppers
is neutral about it.
Was this review helpful? [Be the first to tell us!]
"I get Cronenberg. I get this vision of the erotic that is applied here to the pat horror themes best suited to the low budget.  This is a b-movie built around a sort of credo statement by the nurse who delivers the philosophical core: "Everything is erotic." So, is this a commentary on the prospects of modern design? The super slick urban environments that satisfy our every urge. Underground parking, cable television, sexy neighbors. And the delightful prospects of the " [More]
HairyLimeHairyLime Shivers
by HairyLime in HairyLime Blog
lost interest.
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"After watching 'Rabid' last week, I thought I'd also check out another early Cronenberg film that was also available on our 'on demand' cable menu. Not nearly as interesting or as artfully done as the other film. The low production values and poor acting are even more glaring in this one, although there are a few effective scenes. 60s scream queen Barbara Steele makes an appearance, but her talents are mostly wasted on a cheesy bathtub scene and a few other short embarrasi " [More]
unclefesteringunclefestering Re:Best Synopses on Spout
by unclefestering in Movie Games
"Who can resist this George Romero classic: George Romero's The Crazies involves a biochemical warfare virus code-named "Trixie" that gets into the water supply of Evans City, Pennsylvania. It has two equally unpleasant effects, either killing its victims outright or driving them hopelessly insane. The military descends on the town like a plague of locusts, quarantining the area and dragging the frig " [More]
usesoapusesoap has anyone seen Cronenberg's '7 ...
by usesoap in TEETH the Movie
"Thematically similar to Shivers, it seems., without the benefit of having seen Teeth. Cronenberg's is certainly dated now, but helped initially put him on the map. Though I do not anticipate a release of Teeth will make it to my home of Rehoboth Beach, Delaware (Dela-where?), I eagerly await its arrival on DVD. " [More]
PuhnnerPuhnner the evolution or should I say d ...
by Puhnner in HORROR MOVIES 101
"I am putting some thoughts together for a blogpost on the 1964 The Last Man on Earth, with Vincent Price, Franca Bettoia, Emma Danieli, Giacomo Rossi-Stuart, among others. I got to thinking of the evolution (or is it the devolution ??? ) of the 'Zombie' in film and thought who better to ask that question of than you two, Dr_Gor and Phantasma-gore-ia with your encyclopedi " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Like George Romero, on whose Night of the Living Dead this film so successfully riffs, David Cronenberg knew early on how to parlay low production values and genre conventions into artistic strengths. After turning out just two previous shorts, both of them experimental, the young Canadian writer/director released this smart, creepy feature in 1975. The typical arc of any sci-fi or creature feature is usually an initial shocker followed by slowly escalating suspense and climactic violence. They Came From Within follows that profile, but here, the horror isn't some threat from outer space or Transylvania, but the privileged characters' own postmodern isolation. At about the same time John Waters was churning out grotesquely amusing caricatures of the haute bourgeoisie, Cronenberg was attacking them here with tastefulness. The slowly paced, almost affectless early scenes depict the high-tech skyscraper as an urban environment divorced from all passion and nature, which makes the queasy special effects and sex-crazed chase sequences all the more delicious. Scream queen Barbara Steele and Canadian TV actress Susan Petrie were but the first in Cronenberg's long string of stellar leading ladies, but the spotlight here is on the ideas and the action, not the actors. Rarely has a horror film portrayed the ugliness of an era as subtly and unrelentingly as They Came From Within does in its clinical dissection of the empty, high-rise '70s. ~ Brian J. Dillard, All Movie Guide
 

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