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Shanghai Knights
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Directed by David Dobkin
East and West team up to take on bad guys in the British Empire in this sequel to the action comedy hit Shanghai Noon. Chon Wang (Jackie Chan), once an Imperial Guard in China, is now the Sheriff of Carson City, NV, while his onetime cohort, former train robber Roy O'Bannon (Owen Wilson), scrapes together a living writing dime novels based on his adventures and waiting tables in New York City. However, when Wang learns that his father was killed by bandits who broke into the Emperor's palace and stole the Imperial Seal, he's determined to bring the criminals to justice. Wang's sister Lin (Fann Wong) has learned that the killers have escaped to London, so Wang travels to England to meet her, with O'Bannon in tow. As Wang and Lin -- whose martial arts skills rival those of her brother -- look for the culprits, they discover that Lord Rathbone (Aidan Gillen), who is looking to shorten his path of succession to the British throne, is in cahoots with Wu Chan (Donnie Yen), the bastard son of the Chinese Emperor's father, who needs the Imperial Seal as part of his plan to win control of the nation. As Wang and Lin try to get to the bottom of Chan's schemes, O'Bannon finds himself infatuated with his pal's sister. While set in Victorian London, Shanghai Knights was actually filmed on locations in the former Czech Republic, which more closely resembled turn-of-the-century England. ~ Mark Deming, All Movie Guide
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Buddy-driven franchises usually get clumsier with each installment, but Jackie Chan movies just get fleeter of foot -- and it's not because he's defying age any better than usual. First with Chris Tucker in Rush Hour 2, now with Owen Wilson in Shanghai Knights, Chan scores at least as well -- if not better -- on his second waltz with each partner. And never have his moves seemed more like dance, especially during this film's instant-classic homage to Singin' in the Rain, in which the kung fu gymnast dispatches villains with a deployed umbrella and a Gene Kelly repertoire of glides and spins. Not every set piece equals this imaginative high, and in fact, an otherwise clever revolving-door scene is notable for relying on quick, disorienting edits, which simulate the frenetic pace Chan could once generate on his own. But this amounts to quibbling, because Shanghai Knights gives viewers everything they expect for the price of admission, including another generous helping of Wilson's sham cowboy legend Roy O'Bannon and his gift for eccentric chatter. Both Shanghai movies succeed on the strength of this fluffy sensibility, which nails the tone Wild Wild West (1999) could never find. Sure, it's awfully cutesy when the script places the duo in the middle of every major historical event of pre-20th century London, from the thwarting of Jack the Ripper to the inception of Sherlock Holmes. But that's why Shanghai Knights is fine popcorn entertainment -- it convinces viewers not to get too distracted by such unimportant shortcomings. ~ Derek Armstrong, All Movie Guide
 

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