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Samurai 1: Musashi Miyamoto
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Directed by Hiroshi Inagaki
Musashi Miyamoto was the first entry in Japanese filmmaker Hiroshi Ingaki's Samurai trilogy. Toshiro Mifune is Takezo, a good-for-nothing from the farming village of Miyamoto, who dreams of becoming a samurai in 17th century Japan. Over the course of the first part, Takezo evolves from being a man filled with rage and violence who is looked upon by others as a wild animal to being Musashi Miyamoto, a man yearning for a deeper understanding of himself and what it takes to be a true warrior. When first released in the US, Samurai 1 was "clarified" by the narration of William Holden, an actor with a long-standing fascination and affection for all things Japanese. Based on a mammoth novel by Eiji Yoshikawa, Musashi Miyamoto was followed by Duel at Ichijoji Temple and Duel at Ganyru Island . All three films were eventually combined into an epic single entity, Samurai Trilogy. ~ Hal Erickson, All Movie Guide
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WindbreakerWindbreaker Samurai 1
by Windbreaker in Windbreaker!
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"Confession time... 2 things that will always be funny: midgets and stutterers. 2 things that will always kick ass on DVD: Toshiro Mifune and a samurai sword. Let's be honest. Superman wears Toshiro Mifune pajamas. The best way to watch this DVD is as Part 1 of a trilogy. The story is tight enough that it can stand alone as a rich drama, but loose enough that plenty of space exists for stories told in the sequels. Fortunately the subtit " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
The first installment of Hiroshi Inagaki's Samurai trilogy, Samurai 1: Musashi Miyamoto expertly balances action, plot, and character development, and perfectly sets the stage for the rest of the series. Some patience is required for the first half, and many of the secondary characters are not as complex as one would like, but there is a maturity to the film that goes beyond the Saturday matinee aspects of its plot. Mifune beautifully handles Takezo's transformation, and Inagaki's filmmaking skills are impressive, moving through the story with a relaxed rhythm that should not be underestimated. Toward the end, two seemingly irrelevant characters, Seijuro and Toji, also appear, and it is only in the second installment that their crucial importance becomes apparent. Samurai 1 apparently had some box-office success in the U.S. upon its release, and it received an honorary Oscar for Best Foreign Language Film, back in the days when there was no regular competitive category. Its crossover appeal is evident, as its fluid, colorful approach to action is unlike anything Hollywood or Europe was producing at that time. ~ Bob Mastrangelo, All Movie Guide
 

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