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Salaam Bombay!
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Directed by Mira Nair
Shot on-location on the streets of Bombay, Mira Nair's Salaam Bombay is the gritty tale of Krishna (Shafiq Syed, a runaway discovered by Nair), a boy kicked out of his home, and abandoned by the traveling circus he had joined. In desperation, he uses the little money he has to buy a one-way ticket to the nearest city, which turns out to be Bombay. "Come back a movie star," the ticket agent tells him mockingly. In Bombay, Krishna joins a small community of street kids, and gets a job delivering tea. Soon, everyone in the downtrodden neighborhood knows him as "Chaipau" (tea boy). Krishna wants to save five hundred rupees, enough money to get back into his mother's good graces and return home. Chillum (Raghubir Yadav), a streetwise young man who deals drugs for the local kingpin, Baba (Nana Patekar), takes Krishna under his wing. The sly but cruel Baba has a mistress, Rekha (Aneeta Kanwar), who works as a prostitute. She has a young daughter, Manju (Hansa Vithal), who has a crush on Krishna, but Krishna only has eyes for the girl they call "Sweet Sixteen," a virginal teenager who is being forced into prostitution. Eventually, Baba fires the surly Chillum, and Krishna finds himself struggling to keep Chillum alive by supporting his drug habit. Many of the roles in the film are played by non-actors, including the street kids, and an actual madame who allowed Nair to film scenes in her brothel. The Harvard-educated Nair began her filmmaking career working on documentaries. Salaam Bombay, her narrative feature debut, won worldwide critical acclaim, and was awarded the Camera D'Or at Cannes. She and the film's screenwriter, Sooni Taraporevala, also collaborated on Mississippi Masala, starring Denzel Washington. ~ Josh Ralske, All Movie Guide
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Mira Nair began her career working on documentaries, and she has put that experience to excellent use in all of her narrative work, beginning with her debut feature, Salaam Bombay. Nair and cinematographer Sandi Sissel capture the flow of activity amid the destitute on Bombay's streets. The film is full of gorgeously colorful and powerful images, but its heart-rending story never romanticizes the squalor of these lives. Like all of Nair's films, Salaam Bombay is full of well-drawn characters, and even the nominally minor characters have fully differentiated personalities. The use of nonprofessional actors enhances the feeling that these lives go on beyond the edges of the frame. And one gets the sense that the events portrayed in the film would be occurring even if Nair wasn't documenting them. The professional actors in the cast -- Nana Patekar, who plays the local crime kingpin Baba, and Raghubir Yadav, who plays the desperate Chillum -- deliver exceptionally rich performances. But it's Shafiq Syed, starring as Krishna, and Hansa Vithal, who plays little Manju, who give the film its heart and soul. These are surprisingly complex child characters. Manju, for example, appears to be guileless, but she, like the other children in the film, knows what she wants (Krishna's attention, for one thing), and is doggedly determined to get it. Despite its verisimilitude, Salaam Bombay is not a documentary. It's a powerful and moving drama. The film deserves to be mentioned alongside Luis Bunuel's Los Olvidados and Hector Babenco's Pixote as a subtly guided tour of shattered childhoods, and a condemnation of societal neglect. Only Nair's obvious compassion for all the film's characters sets it apart. ~ Josh Ralske, All Movie Guide
 

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