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Saint Jack
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Directed by Peter Bogdanovich
After a couple of major studio flops, Peter Bogdanovich returned to his 1960s filmmaking roots with this Roger Corman-produced low budget film. Easygoing expatriate Jack Flowers (Ben Gazzara) makes his living in early-1970s Singapore legally and illegally looking after the needs of American and British businessmen, such as the mild-mannered William Leigh (Denholm Elliott). With his gift for putting clients and girls at ease, Jack opens a successful brothel, but pressure from local mobsters soon puts him out of business. Ever the survivor, he starts working for the shady, Cuban-cigar-smoking Eddie Schuman (Bogdanovich) as a pimp for GIs on breaks from Vietnam. But Jack's conscience starts to dog him when Schuman hires him to take compromising pictures of a visiting Senator (George Lazenby). Adapted by Bogdanovich, Howard O. Sackler, and Paul Theroux from Theroux's novel, Saint Jack offers a pimp with a heart of gold, who is less an ugly colonial American abroad than an outsider trying to make the best of a bad situation. Shooting on location in Singapore, cinematographer Robby Müller lends an appropriately gritty look to the matter-of-fact narrative. With restrained and forceful performances by Gazzara and Elliott, Saint Jack was something of a succès d'estime for the embattled Bogdanovich, winning the Italian Journalist Award for Best Film at the 1979 Venice Film Festival. While not a box-office success, it remains an affecting and unsung character study of a man's desire to forge a reasonably honorable life in a dishonorable profession. ~ Lucia Bozzola, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
After the disappointing commercial and critical reception afforded Daisy Miller, At Long Last Love, and Nickelodeon, Peter Bogdanovich went back to his early patron, Roger Corman, and created a film that confirmed the director still had talent and a voice of his own. Though not a great film, Saint Jack is clearly one that had genuine meaning for its director, and that personal touch is felt throughout the film. Bogdanovich employs a number of lengthy continuous shots and telling close-ups to very good effect, and he's not afraid to make the audience pay attention to follow the story (which may confuse some viewers). The movie is essentially a character study, and Ben Gazzara makes that character compelling and engrossing. Tough, full of street smarts, and insightful, Gazzara's Jack is a vivid and engaging personality that's surprisingly easygoing and considerate when the occasion allows -- and above all, despite the sleazy world in which he operates, he's at heart a decent man with a code he will not violate. Gazzara makes the character three-dimensional, and someone the audience is glad to spend time with. Denholm Elliott also turns in a finely calibrated performance. Bogdanovich and Gazzara would team up again two years later for They All Laughed. ~ Craig Butler, All Movie Guide
 

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