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Rosemary's Baby
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Directed by Roman Polanski
In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets. Shortly after Guy lands a plum Broadway role, Minnie starts showing up with homemade chocolate mousse for Rosemary. When Rosemary becomes pregnant after a mousse-provoked nightmare of being raped by a beast, the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The diabolical truth is revealed only after Rosemary gives birth, and the baby is taken away from her. Polanski's camerawork and Richard Sylbert's production design transform the realistic setting (shot on-location in Manhattan's Dakota apartment building) into a sinister projection of Rosemary's fears, chillingly locating supernatural horror in the familiar by leaving the most grotesque frights to the viewer's imagination. This apocalyptic yet darkly comic paranoia about the hallowed institution of childbirth touched a nerve with late-'60s audiences feeling uneasy about traditional norms. Produced by B-horror maestro William Castle, Rosemary's Baby became a critically praised hit, winning Gordon an Oscar for Best Supporting Actress. Inspiring a wave of satanic horror from The Exorcist (1973) to The Omen (1976), Rosemary's Baby helped usher in the genre's modern era by combining a supernatural story with Alfred Hitchcock's propensity for finding normality horrific. ~ Lucia Bozzola, All Movie Guide
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All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Roman Polanski took the traditional gothic horror story and moved it to New York in the 20th century (where it finds a home with surprising ease) in this superb adaptation of Ira Levin's best-selling novel. While trading in the frankly unbelievable throughout, Polanski always keeps one foot firmly in reality while the other gingerly dips its toe into the pool where things aren't quite right. Rosemary Woodhouse (played with perfect small-town reserve by Mia Farrow) is nearly the only recognizably "normal" character in the film (much more so than her self-absorbed actor husband, Guy, played with just the right touch of slime by John Cassavetes), and nearly everyone around her seems a tiny bit odd, especially her neighbors Roman (Sidney Blackmer) and Minnie (Ruth Gordon), an eccentric older couple whose interest in Rosemary and her expectant child seems strange without being obviously evil. Ultimately, Polanski's greatest strength in this film is his subtlety; his pacing and sense of mood are masterful without calling attention to themselves, letting the horror of the premise sink its claws in so slowly and quietly that you don't notice how far deep they've gone until it's too late. It wasn't until The Exorcist that a horror film connected with audiences quite as strongly as Rosemary's Baby, and while The Exorcist threw a variety of wild and brutal shock tactics at its audience, Rosemary's Baby lured its victims in with such tender loving care that the horrible logic of its conclusion was all the more effective; it may well be the best and smartest horror movie of the 1960s. ~ Mark Deming, All Movie Guide
 

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