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Roberta
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Directed by William Seiter
Alice Duer Miller's novel Gowns by Roberta was adapted into the 1933 Broadway musical Roberta, with music by Jerome Kern and Otto Harbach. The 1935 filmization of Roberta was slightly adapted to accommodate the dancing talents of Fred Astaire and Ginger Rogers, though their roles are secondary to the characters portrayed by Irene Dunne and Randolph Scott. Dunne plays a deposed White Russian princess who has become a famed Parisian couturier. Dunne is the partner of "Roberta" (Helen Westley), who passes away, leaving her half of the business to American football player Randolph Scott--who of course knows next to nothing about the gown business, and couldn't care less anyway. Astaire co-stars as bandleader Huck Haines, the character played by Bob Hope in the original Broadway production of Roberta. Rogers rounds out the cast as a phony Polish countess who happens to be Astaire's former girlfriend. Many of the songs written for Roberta were retained for the film version, including "Lovely to Look At," "Smoke Gets in Your Eyes" and "I Won't Dance;" other tunes are heard as background music. Keep an eye out for a blond Lucille Ball as a fashion model. Withdrawn from circulation for many years due to the 1952 MGM remake (titled Lovely to Look At), Roberta began making the public-domain rounds in the early 1980s. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Like Flying Down to Rio, Roberta is a film in which Fred Astaire and Ginger Rogers play supporting roles -- but provide the real highlights of the film. This is not to slight the film's female star, Irene Dunne, who turns in a good, stylish performance and sounds wonderful when singing a rueful "Smoke Gets in Your Eyes" and a charming "Lovely to Look At." But Dunne's love affair with Randolph Scott is less involving, interesting -- just plain less fun -- than that involving the dancing stars. Roberta includes three top notch Astaire-Rogers routines. "I'll be Hard to Handle" is justifiably famous, incorporating a difficult tap duet that turns into a magnificent challenge dance, and ending in a gorgeous swirl of energy that melts into a gentle collapse. In "I Won't Dance," Astaire solos for Rogers, displaying a catalogue of movement that belies the title, and their tender pas de deux to "Smoke Gets in Your Eyes" is delicate and lovely. When not singing -- or displaying eye-catching fashions -- Roberta tends to drag a bit, but the musical moments, Dunne's way with a phrase, and Astaire and Rogers make it well worth the wait. ~ Craig Butler, All Movie Guide
 

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