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Rififi
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Directed by Jules Dassin
Jules Dassin -- in his second European film after being driven out of the United States during the years of the house Un-American Activities Committee hearings -- directed this landmark caper film about the planning and execution of a nighttime robbery at a swanky English jewelry shop in the Rue de Rivoli. The story concerns a collection of thieves who band together to commit a seemingly impossible robbery. The gang consists of a tough, straight-talker named Tony Stephanois (Jean Servais); a young man under Tony's tutelage named Jo (Carl Mohner; a happy-go-lucky Italian by the name of Mario Farrati (Robert Manuel); and a safecracker named Cesar (the director Jules Dassin under the pseudonym of Perlo Vita) who likes to jiggle the combinations of women in his off hours. The set piece of the film is an intricate 28-minute sequence that depicts the robbery in detail -- all filmed silently without dialogue or music. After the success of the robbery, the gang barely has time to celebrate when a rival gangster, Pierre Gruuter (Marcel Lupovici), decides that he wants a cut of the take. When Tony's gang refuses to cooperate, Pierre kidnaps Jo's son, and the gang has to get tough with their nemesis. ~ Paul Brenner, All Movie Guide
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RisseladaRisselada director introductions - Jules ...
by Risselada in Risselada Blog
liked it.
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"This is the first film I've seen by director Jules Dassin. Du rififi chez les hommes (Rififi) With a reputation as such a seminal heist film I was anticipating something quite special from Rififi. The elements of a heist and it's unstable aftermath can be compared to some " [More]
dibotdibot Le Cercle de Rififi Skinwalkers ...
by dibot in dibot Blog
loved it.
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"The first time I started watching Skinwalkers, I couldn't finish it. I got freaked out because it was late at night and everyone had fallen asleep, leaving me alone with my werewolf fear. However, the ne " [More]
leeroy711leeroy711 Weekly Theme for September 8: T ...
by leeroy711 in Weekly Theme
"This one is pretty self explanatory. What's your favorite heist movie. What's your favorite heist scene. Last week, I watched Melville's Le Cercle Rouge. Which had an incredible jewelry store robbery. I think the original Thomas Crown Affair had one of the most inventive ideas for a heist e " [More]
JymkataJymkata Re:Best Heist films and also th ...
by Jymkata in Top 5
"There are a lot of movies that I love that have heists in them but they are usually a means to an end and the bulk of the film usually deals with the fallout of said heist. Straight up heist films I love are : Jean Pierre Melville's stylish and masterful Le Cercle Rouge and Un Flic. [More]
RisseladaRisselada Re: Top 5 Heist Films
by Risselada in Top 5
"Hey great category, even though I'm sure I've not seen enough of the greats. For instance I've never seen Rififi, although I know it's considered the best. Although I HAVE seen Big Deal on Madonna Street, which from what I'm told is pretty much a parody of Rififi in a way.1. [More]
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Review by All Movie Guide
All Movie Guide
loved it.
The pinnacle of heist movies, blacklistee Jules Dassin's Du Rififi Chez Les Hommes (1955) is not only one of the best French noirs, but one of the top movies in the genre. Crafting an archetypal noir story about how human weakness can sabotage the best-laid plans, Dassin masterfully emphasizes the skill and nerve-shredding delicacy that it takes for the central band of thieves to execute those intricate plans (without making a sound) in the classic half-hour heist sequence. The air of seediness and inevitable doom that lingers over the proceedings -- shot on location in Paris -- adds an existential weight to the suspense, turning Rififi into more than just a caper. Though Rififi's all-too-clear primer on how to rob a jewelry store and its then-excessive violence and decadence got the film in trouble in some countries, Rififi became an oft-imitated international hit and Cannes prizewinner for Dassin's direction. Barely seen in the U.S. since its original release, Rififi was restored to its full 35 mm visual glory in 2000, complete with new, more explicit subtitles (done in collaboration with Dassin) and a translation of the title song. The restoration received a special citation from the New York Film Critics Circle. ~ Lucia Bozzola, All Movie Guide
 

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