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Ride in the Whirlwind
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Directed by Monte Hellman
Director Monte Hellman and writer-star Jack Nicholson filmed this western simultaneously with The Shooting (1967). Nicholson stars as Wes, cowpuncher pal to Vern (Cameron Mitchell) and Otis (Tom Filer), who have all been hired as hands for a cattle roundup. En route to their new jobs, the men come across the handiwork of a lynch mob. Later, they find hospitality at the home of Blind Dick (Harry Dean Stanton), who graciously provides them with food and shelter. The cowboys are unaware that Blind Dick and his men recently robbed a stagecoach and murdered the driver. A sheriff (Bradon Carroll) and his posse surround the cabin and hang the thieves. Though innocent, the terrified cowboys flee. Otis is killed, but Wes and Vern escape -- with the posse in pursuit. When they stop to rest at the ranch of Evan (George Mitchell), Wes considers taking Evan's daughter hostage. Trying to steal Evan's horse, Vern is killed by the rancher, who in turn is shot by Wes. Once a law-abiding citizen, Wes has been transformed by unjust vigilantism into a killer. Fascinated by frontier era journals that he discovered in an L.A. library, Nicholson used the documents as inspiration in writing the script. ~ Karl Williams, All Movie Guide
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JakeStevensJakeStevens Standard Issue Western
by JakeStevens in JakeStevens Blog
is neutral about it.
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"Written by Jack Nicholson and directed by Monte Hellman, this was shot back to back with "The Shooting", another Hellman-directed, Nicholson-starring Western. It's not bad, it's just not great. Good story, though it's obviously shot with a spartan budget. For fans of Nicholson and Hellman (and perhaps Millie Perkins), everyone else might get bored. " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Filmed simultaneously with The Shooting in the fall of 1966, Ride in the Whirlwind is one of Monte Hellman's most elegiac, haunting, and ultimately most satisfying and extraordinary films. It's also one of the finest darn Westerns ever made. Much of the film's success should also go to actor/screenwriter Jack Nicholson's script, which is rich with almost fetishistic detail for frontier life. Nicholson reportedly spent considerable time doing research by reading journals of Old West pioneers. Unlike Hellman's equally brilliant The Shooting, Whirlwind forsakes the former film's existential and surreal approach to the Western with a low-key, deceitfully straightforward narrative. The film's power resides in the minute details of frontier life. Whether it's watching the three hapless cowboys uncomfortably drink whiskey with the gang of bandits inside the claustrophobic cabin, or the frontier homesteaders going through their mundane rituals of survival, the film offers a credible take on what life may have been like in the late-1800s. The performances are all excellent, especially Cameron Mitchell as the inarticulate cowboy desperately trying to make sense of an increasingly grim situation. Nicholson's great as well, even though he's saddled with a far less showy role than he had in The Shooting. The film also paints a harsh look at the prevalence of vigilantism in the West, and how fear and the ruthlessness of the so-called law both tamed and tyrannized a land forged by violence. ~ Derek Hill, All Movie Guide
 

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