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Repo! The Genetic Opera
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Saw series mainstay Darren Lynn Bousman reunites with Twisted Pictures producers Oren Koules and Mark Burg for this futuristic shocker detailing a terrifying epidemic of organ failures. The denizens of planet Earth have been devastated by inexplicable and widespread organ failures, and as a result scientists begin planning a substantial organ harvest. Though an innovative biotech conglomerate subsequently offers the fearful public a means of maintaining their health by enacting a series of hassle-free organ payment plans, things begin to get messy when it's revealed that the financed body parts are subjected to legal default, and that failure to maintain proper payment will result in forceful repossession of the organs. Paul Sorvino and Spy Kids' Alexa Vega are set to star alongside celebrity socialite Paris Hilton in the Lionsgate film. ~ Jason Buchanan, All Movie Guide
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mconrad3mconrad3 Repo! The Genetic Opera
by mconrad3 in mconrad3 Blog
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"Rock operas. I can't say I'm a fan of any manner of musical, but if I had to sit through one, it'd be the rock opera. Repo is one of the most recent examples of this genre, the most famous of which would probably be the Rocky Horror Picture Show. This film is no Rocky Horror, but it had just enough macabre to keep me interested the whole way through. It takes place fifty years from now when an organ transplant company (GeneCo) has saved humanity from an epidemic of organ failures. The catch i " [More]
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"There’s no denying that Repo! The Genetic Opera has plenty of imagination, but right now it’s still spinning around in my brain and I’m trying to decide if I " [More]
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"Liked these (in no particular order): Cloverfield Incredible theatrical experience. Might be hampered watching at home. Nick and Norah's Infinite Playlist Cutesy teen flick. Had a great 80's feel to it. [More]
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Review by All Movie Guide
Because Darren Lynn Bousman had just soullessly toiled away on the second, third and fourth Saw movies, it would be easy to dismiss him as a hack with no vision beyond that required to see his next paycheck. But if churning out those movies was a necessary evil toward making his passion project, Repo! The Genetic Opera, then all is forgiven. Repo! was excoriated by critics for such reasons as the casting of Paris Hilton, as well as its risky premise: an R-rated opera in which surgically implanted organs are repossessed for non-payment. It seems many critics couldn't get past their knee-jerk reaction, because if they had, they would have recognized Repo! as the ambitious feast of originality that it is. This is what Tim Burton should have gone for with Sweeney Todd: a dark, dystopian epic that's emotionally satisfying, but also sometimes funny, and lives up to the expected scope of its format. As the father and daughter at the center of the story, Anthony Head and Alexa Vega bring terrific depth of feeling to their characters, and Buffy fans will be especially delighted to see Head (their beloved Giles) in the leading role he so richly deserves. It helps to have plenty of feeling built in to the songs from the original stage musical, composed by Darren Smith and Terrance Zdunich, whose lyrics stop just short of being comically literal. The supporting performances are also effective in context, from Paul Sorvino to soprano Sarah Brightman, with even Hilton herself fitting in to the film's thrust. It's important to remember that Repo!'s trash factor is intentional, as this film actively aspires to join the lurid ranks of film's great exploitation movies. But there's nothing unintentionally trashy about it, either in terms of its sentiments (the tragic story is plenty involving), its social commentary (our appearance-obsessed society gets a wicked skewering), or its production (a balance between sweeping digital cityscapes and low-tech sets that embrace Repo!'s stage origins). Even the comic book panels that advance the narrative work perfectly with Bousman's design. "Narrated" by a sympathetic gravedigger who traffics in street surgical drugs, Repo! The Genetic Opera has got "future cult classic" written all over it. It could be the Rocky Horror Picture Show of gothic rock operas, to a receptive audience. And Bousman proves he has good creative vision after all, free from those snapping traps that had shackled him. ~ Derek Armstrong, All Movie Guide
 

Community ratings

mavens
Spout mavens
are neutral about it.
most people
Most people
are neutral about it.

Other opinions

Yinali
Yinali
loved it.
peigan
peigan
loved it.
myrdynn
myrdynn
loved it.
triage685
triage685
is not interested.
CassieAnnette
CassieAnnette
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Ateballin
Ateballin
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