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Real Men
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Directed by Dennis Feldman
A CIA agent recruits a meek family man for a secret mission involving interstellar communication and copious violence in this tongue-in-cheek buddy flick from the writer/producer of The Golden Child. Insurance salesman Bob Wilson (John Ritter) is the kind of guy who stands by while suburban punks steal his kid's bike. Nick Pirandello (James Belushi) is the exact opposite -- a brash, womanizing alpha male revered within the CIA for his many successful secret missions. When a fellow agent who looks exactly like Bob gets killed just days before he's due to head up a very delicate mission, Nick recruits the reluctant Bob to help out. As Bob gets drawn deeper into a world of Russian hit men, transsexual beauties, and secret-agent hijinks, he slowly gains the self-confidence that's always escaped him. Meanwhile, he's constantly at the mercy of Nick's tongue-in-cheek humor, so he's a little skeptical when Nick reveals that the big meeting is with a group of aliens who want to share their advanced technology with humans. As it turns out, there may be something to Nick's outrageous story -- if only Bob can survive long enough to find out. The lone directorial credit for screenwriter/producer Dennis Feldman, Real Men features Barney Miller vet Barbara Barrie in a supporting role as Nick's placid, accommodating mother. ~ Brian J. Dillard, All Movie Guide
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Review by All Movie Guide
All Movie Guide
disliked it.
Wearing its patent ridiculousness on its sleeve, this slight but generally agreeable comedy integrates the Airplane/Top Secret school of non-sequitur comedy in to a less explicitly parodic buddy flick. The snide James Belushi comes off like a poor man's Bill Murray, but he's watchable enough in his cheerful obnoxiousness; so is John Ritter, whose slow, careful transformation from a timid schlub to a preening he-man is a cut above the rest of the film. Barbara Barrie and Dyanne Thorne have a couple of fun cameos, helping cement the film's likable loopiness. But the fact that screenwriter and novice director Dennis Feldman never again ventured behind the camera is no great tragedy. ~ Brian J. Dillard, All Movie Guide
 

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