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Racing with the Moon
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Directed by Richard Benjamin
Sean Penn graduated to full stardom with the 1984 drama Racing with the Moon, even though the film itself hardly set new box office records. Set in the early years of World War II, the film stars Penn as a small-town teen-aged hotshot, six weeks away from being shipped out to fight overseas. In the meantime, Penn begins to date Elizabeth McGovern, whom he assumes is from a wealthy family. Penn's pal Nicolas Cage, who's gotten his girlfriend Suzanne Adkinson pregnant, imposes upon Penn to hit up McGovern for the abortion money. That's when Penn discovers that the girl barely has a penny to her name. Convinced that Penn cared for her only when he thought she was rich, McGovern walks out on him, but later teams up with Penn to help the unfortunate Adkinson. The plot is pure James Dean, a fact not lost on fans who regarded Sean Penn as the second coming of Dean. A very slight piece, Racing With the Moon is buoyed by the engaging performances of the stars, and by director Richard Benjamin's meticulous attention to period detail-especially in those peerless bowling-alley and skating-rink sequences. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Richard Benjamin's moodily nostalgic film on young love in the WWII era is a light, lyrical valentine to the period, featuring an excellent cast. The first produced script of the talented 24-year-old Steve Kloves, it has such modest intentions for its familiar story, and unfolds it with such charm, that it's difficult to resist. Charm is not a word one associates with Sean Penn, but the caring, sensitive teenager he plays so well makes his instant appeal for Elizabeth McGovern's putative rich girl easy to accept. Nicolas Cage has the thankless role of Penn's self-absorbed friend, but it's less his personality than the pointless and distracting subplots in which the film enmeshes him that make him so annoying. Benjamin shows a surprising restraint, keeping some distance between actors and camera, and allowing scenes to develop at a natural pace. His sense of period detail is also a plus here, especially in the hilarious bowling sequence and the game of pool. While perhaps not the weightiest of films, it grace and innate respect for its characters make it a pleasure that's impossible to dismiss. ~ Michael Costello, All Movie Guide
 

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