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Push: Based on a Novel By Sapphire
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All reviews for Push: Based on a Novel By Sapphire

    chirowzchirowz What did you think of Precious? ...
    by chirowz in chirowz Blog
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "If you saw "Precious" tell me what you thought: A.) Enjoyed it - found it uplifting or motivational B.) Liked it, but it was way too depressing C.) Indifferent D.) It just wasn't my kind of movie E.) Felt it was too stereotypical F.) Disliked it for other reasons For me, Precious is a great drama, but it’s not necessarily uplifting. Sure, Precious is now better off than she was before, but she still has many hurdles to overcome, and although she will no doubt do her best to succeed, the whole film was just depressing. This film showed the wrongs and the horrors of teenage pregnancy, rape, abuse, STDs and their outcomes, but didn’t express or inform how young girls should seek help in such situations. Precious herself didn’t completely seek help for her problems; she fell into and went along with “help” due to the structuralist members of her society. In the final scene, Precious is walking with her two children and looks at peace with her life. ... " [More]
    SpoutBlogSpoutBlog Harvey Weinstein Pulls on Push. ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "In a turn of events that recalls an infamous Sundance story of yore, Harvey Weinstein is insisting that The Weinstein Co. locked down rights to Push (not that one, the Sundance one) before Lionsgate made its deal. Fortunately for everyone in Park City, this fight waited until after the film festival ended and ol’ Harv was nowhere near making a scene in a restaurant. Instead, the rights tug-of-war is going to the courts (on both coasts), making everyone think this is the indie version of the Watchmen battle and giving the blogs something more interesting than actors’ rants and masquerades to comment on: “Harvey Weinstein constantly pleads poverty on behalf of his The Weinstein Co so that filmmakers will dig into their own wallets for re-shoots that he demands yet won’t fund. But suddenly " [More]
    KarinaKarina New Directors/New Films Picks P ...
    by Karina in Karina on SpoutBlog
    hasn't rated it.
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    "MoMA and the Film Society of Lincoln Center have released the schedule for New Directors/New Films, and as in the past, it’s heavy on films that recently played Sundance, including award winners (Push, We Live in Public, The Cove and The Maid). I’m looking forward to catching Amreeka (the ND/NF opening night film), Stay the Same Never Change and Unmade Beds, all of which I missed in Park City, as well as Bob Byington’s Harmony and Me, a world premiere starring Justin Rice. indieWIRE has the full lineup. ND/NF starts March 25. Originally posted on:SpoutBlog » Karina Longworth " [More]
    KarinaKarina PUSH Drama, ARLEN FABER sells t ...
    by Karina in Karina on SpoutBlog
    hasn't rated it.
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    "To loosely paraphrase Journey: the Sundance movie deals never end, they go on and on and on and on. As Magnolia announces (via indieWIRE) that they’ve picked up Sundance Narrative Competition title Arlen Faber (starring Jeff Daniels, Lauren Graham and Olivia Thirlby) the biggest deal of the festival is getting infinitely more complicated. We’ve added Faber to our Sundance 2009 deal chart, and have also ammended the purchase price of Humpday. We’ll hold off on ammending the Push entry to reflect Harvey Weinstein’s claims, at least for now. Originally posted on:SpoutBlog » Karina Longworth " [More]
    SpoutBlogSpoutBlog PUSH Drama, ARLEN FABER sells t ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "To loosely paraphrase Journey: the Sundance movie deals never end, they go on and on and on and on. As Magnolia announces (via indieWIRE) that they’ve picked up Sundance Narrative Competition title Arlen Faber (starring Jeff Daniels, Lauren Graham and Olivia Thirlby) the biggest deal of the festival is getting infinitely more complicated. We’ve added Faber to our Sundance 2009 deal chart, and have also ammended the purchase price of Humpday. We’ll hold off on ammending the Push entry to reflect Harvey Weinstein’s claims, at least for now. Originally posted on:SpoutBlog " [More]
    KarinaKarina PUSH Bought By Lionsgate, with ...
    by Karina in Karina on SpoutBlog
    hasn't rated it.
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    "Variety reports that Lionsgate has signed a deal to acquire Sundance Grand Jury and Audience Award winner Push: Based on the Novel by Sapphire, directed by Lee Daniel and featuring a tour de force supporting performance from Mo’Nique. According to the bare-bones news blurb, “Oprah Winfrey and Tyler Perry will support Lionsgate’s distribution through their respective motion picture companies.” This news brings two thoughts immediately to mind: 1) the old conception of Lionsgate as a slash-horror factory is even more out of date this afternoon than it was this morning; and 2) Being that Lionsgate were rumored to be zeroing in on Push at least hours if not days before it won multiple awards on the final night of Sundance, if they were waiting for Oprah and Perry to pledge assistance before making the deal final and/or public, then maybe there’s something to the whispers (largely drowned out by media coverage of those awards, but still prevalent on the ground in Park City) that just be ... " [More]
    SpoutBlogSpoutBlog Sundance Critical Consensus Goe ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "indieWIRE polled a number of critics and bloggers (including yours truly) on their favorite films and performances at this year’s Sundance, and the results are in: the pros think the jury and the audience got it right in selecting Push: Based on the novel by Sapphire as the best narrative feature at the festival. I didn’t see that film (Paul did the review, and Eric Kohn interviewed Mo’Nique for us), and in general my ballot included a few films that didn’t make the consensus cut; I’ve pasted it after the jump if you want to take a look-see. indieWIRE also posted some anonymous comments from participants, including one which I think I mostly agree with in sentiment, but which still irks me a bit: How nice to see a Sundance where the quality of the festival was not judged by how many films sold and for how much. Is it a coincidence that the strongest Sundance lineup in years was also the one that did not result in any big " [More]
    SpoutBlogSpoutBlog PUSH Bought By Lionsgate, with ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "Variety reports that Lionsgate has signed a deal to acquire Sundance Grand Jury and Audience Award winner Push: Based on the Novel by Sapphire, directed by Lee Daniel and featuring a tour de force supporting performance from Mo’Nique. According to the bare-bones news blurb, “Oprah Winfrey and Tyler Perry will support Lionsgate’s distribution through their respective motion picture companies.” This news brings two thoughts immediately to mind: 1) the old conception of Lionsgate as a slash-horror factory is even more out of date this afternoon than it was this morning; and 2) Being that Lionsgate were rumored to be zeroing in on Push at least hours if not days before it won multiple awards on the final night of Sundance, if they were waiting for Oprah and Perry to pledge assistance before making the deal final and/or public, then maybe there’s something to the whispers (largely drowned out by media coverage of those awards, but still prevalent on the ground in Park City) that just be ... " [More]
    KarinaKarina Sundance Critical Consensus Goe ...
    by Karina in Karina on SpoutBlog
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "indieWIRE polled a number of critics and bloggers (including yours truly) on their favorite films and performances at this year’s Sundance, and the results are in: the pros think the jury and the audience got it right in selecting Push: Based on the novel by Sapphire as the best narrative feature at the festival. I didn’t see that film (Paul did the review, and Eric Kohn interviewed Mo’Nique for us), and in general my ballot included a few films that didn’t make the consensus cut; I’ve pasted it after the jump if you want to take a look-see. indieWIRE also posted some anonymous comments from participants, including one which I think I mostly agree with in sentiment, but which still irks me a bit: How nice to see a Sundance where the quality of the festival was not judged by how many films sold and for how much. Is it a coincidence that the strongest Sundance lineup in years was also the one that did not result in any big " [More]
    KarinaKarina Sundance 8 Favorites Meme
    by Karina in Karina on SpoutBlog
    hasn't rated it.
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    "I’ve been tagged by Indiepix’s Danielle DiGiacomo to participate in this Sundance favorites blog meme. I’ve, in turn, tagged eight over bloggers. Find out if you’re one of the lucky octuplet after the jump. Rules: 1. We have to post these rules before we give you the facts. 2. Players start with listing their Sundance favorites, separated into 8 categories. 3. People who are tagged write their own blog post about their 8 favorites and include these rules. 4. At the end of your blog, you need to choose 8 people to get tagged and list their names. Don’t forget to leave them a comment telling them they’re tagged and that they should read your blog. Here goes: 1. Favorite feature: Moon by Duncan Jones 2. Most problematic/interesting/though t-provoking feature: A tie between O’er the Land by Deborah Stratman and Spring Breakdown, starring Rachel Dratch, Parker Posey and Amy Poehler. I’ll be writing more about the surprising connections between the " [More]
 
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