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Private Fears in Public Places
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Directed by Alain Resnais
A handful of characters struggle to hold on to relationships with the people they care for in this collaboration between playwright Alan Ayckbourn and filmmaker Alain Resnais. Dan (Lambert Wilson) has recently finished up a hitch in the Army, but rather than deal with his emotional issues, Dan prefers to get drunk. While he barely communicates with his girlfriend Nicole (Laura Morante), she's convinced they will still marry and opts to ignore his obvious problems. Lionel (Pierre Arditi) is a bartender who has become increasingly isolated and cut off from his friends as he looks after his father Arthur. Arthur, however, is in failing health and has little appreciation of his son's sacrifices. Thierry (Andre Dussollier) is a real estate salesman who has fallen for one of his co-workers, Charlotte (Sabine Azema); however, Charlotte's mild-mannered exterior hides a personality that thrives on emotional gamesmanship. And Gaelle (Isabelle Carre), Thierry's sister, is lonely and looking for a relationship, but her efforts bring her neither joy nor companionship. Coeurs (aka Petites Peurs Partagees) received its world premiere at the 2006 Venice Film Festival. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
Comedy tinged with melancholy is the order of the day in Alain Resmnais' delicious Private Fears in Public Places. It's a skillful adaptation (by Resnais and Jean-Michel Ribes) of Alan Ayckbourn's stage play, transposing the playwright's quite-British characters to France in what turns out to be a quite natural manner. Resnais chooses to emphasize a little less of the formality inherent in Ayckbourn's play (though that is still very much in evidence) and to suggest slightly more of a fated inevitability. It's artifice, of course, but Resnais doesn't shrink from the artificial; indeed, the film is shot in a manner that emphasizes and celebrates the "other worldly" quality of which film is capable. His introduction of the snowfall motif, highly artificial, is enormously effective, creating moments of visual beauty that also comment upon characters and situations. Resnais' low-key approach to the material doesn't disguise its theatrical origins, but does make an asset of the same. He's interested in exploring these characters - not in explaining them, but exploring them - and he and his camera capture them in all their human frailty and not-inconsiderbale comedy. He's aided by an expert cast that is perfectly in tune with his goals and desires. The result is an adult, sophisticated romp, one that may not be as intellectually challenging as many other of the director's works but which has a quiet emotional impact that is quite lovely. ~ Craig Butler, All Movie Guide
 

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