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Princess Raccoon
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Directed by Seijun Suzuki
Veteran director Seijun Suzuki (Branded to Kill) takes a new direction with the colorful operetta-fairy tale, Princess Raccoon. When Azuchi Momoyama (Mikijiro Hira), the master of Grace Castle, is told by his soothsayer, Virgen the Old Maid (Saori Yuki) that his son, Amechiyo (Joe Odagiri), will soon usurp his place as "the fairest of them all," the king decides to banish the young man to Karasu Mountain, where the shape-shifting tanuki demons (raccoon-like canines native to Japan) live. Dropped at the mountain, Amechiyo is greeted by the beautiful Tanukihime (Zhang Ziyi), who speaks a strange language (Mandarin), and whom he soon learns is the ruler of Tanuki Palace. Amid colorful painted backdrops, lavish costumes, and eclectic musical numbers, the two fall into a forbidden and dangerous romance. After they frolic in the woods, Amechiyo is taken prisoner by tanuki, but Tanukihime's hand maidens, recognizing the princess' love for him, arrange for his escape. Azuchi is determined to end his son's life, however, and even Hagi (Hiroko Yakushimaru), Tanukihime's loyal henchwoman, is determined to separate the lovers, presumably to ensure the princess' safety. Princess Raccoon was shown at the 2005 Cannes Film Festival before having its North American Premiere at the 2005 New York Asian Film Festival, presented by Subway Cinema. ~ Josh Ralske, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Fans of Seijun Suzuki's stylized gangster films who felt the director got a bit too surreal in the final moments of Pistol Opera had best prepare themselves for the onslaught of enchanting fairy tale weirdness that is Princess Raccoon. This is the only film in recent memory to include the brief but memorable image of a guy in a raccoon mask doing the Robot, not to mention a vengeful Zhang Ziyi (luminous as always as the eponymous princess) flying into a scene on a cardboard cloud, or an action sequence in which forbidden lovers are caught in a whirlpool which has been painted onto the stage under their rowboat. Once one has become acclimated to the film's wonderful stagy strangeness, it's not such a shock late in the film when two powerful adversaries are engaged in a magical battle that has reached a stalemate, and decide to go "hand-to-hand," and that turns out to mean they'll determine the outcome with a game of "Rock, Paper, Scissors." Like Lars von Trier's post-Dogme 95 work, Princess Raccoon is, to some degree, a filmed stage production, but with its exuberantly colorful, eclectic musical numbers, it's as joyously funny as Dogville is dour. For those prepared to engage the movie's playfulness, it's a unique treat. ~ Josh Ralske, All Movie Guide
 

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roland
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