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Pretty Baby
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Directed by Louis Malle
After making a series of acclaimed and controversial films in his native France, director Louis Malle made his American debut with this disturbing but visually beautiful story about Hattie (Susan Sarandon), a prostitute working in New Orleans' Storyville district at the turn of the century. When Hattie becomes pregnant, she opts to keep her baby and gives birth to a daughter named Violet, raising her in the brothel where she continues to work. Twelve years later, Violet (Brooke Shields) is old enough to attract the attentions of the brothel's customers, but emotionally has one foot in the adult world of her surroundings and the other in the naïveté of childhood. With Hattie's consent, Violet's virginity is auctioned off to the customers of the house; but for Violet, the pull between childhood and adulthood becomes most clear -- and most painful -- when she draws the affections of Bellocq (Keith Carradine), a photographer who has been working on a photo series about Storyville prostitutes. Violet's blend of childlike innocence and adult sensuality is profoundly attractive to him, but their relationship quickly becomes problematic, especially when Hattie leaves Violet behind to get married. ~ Mark Deming, All Movie Guide
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by honeysuckle in honeysuckle Blog
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"Watched Klute last night. I'm a bigger fan of Donald Sutherland than I am of Jane Fonda, but she was terrific in this movie. This film had a very crisp, clean look, considering the subject matter. Started thinking about the fascination cinema has had with prostitutes.Child prostitutes in Pretty Baby and Taxi Driver.< " [More]
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by Dr_Gor in Extreme Cinema
"First off I would like to thank our host, Stinger839, for starting this most promising group! The subject matter of Extreme Cinema has a lot of potential for some interesting conversations. I think I will be here regularly talking about many movies that are near and dear to me! So let's start this thing off with a 'bang', shall we? Last night when my partner Phantasma-Gore-ia and I became the first people to joi " [More]
Dr_GorDr_Gor Re:Weekly Theme for November 17 ...
by Dr_Gor in Weekly Theme
"[quote user="rjsprague"] And you guys are a bunch of perverts holy shit. lol [/quote] And while we are on that subject, I was wondering if anyone remembers Brooke Shields' break out performance in 1978's Pretty Baby ? This was a major "mainstream" movie with a wide theatrical release back in the day.&n " [More]
filmgal81filmgal81 Re:Extreme Films
by filmgal81 in Extreme Cinema
"When I think Extreme Films, the first thing to come to mind is totrure porn films like Saw. The original one is brutal- when they threaten to pull that woman's mouth apart from the corners...i shrudder just thinking about it. As the Voice put it in a brillant article on Rosemary's Ba " [More]
yuanrenyuanren Re:Extreme Films
by yuanren in Extreme Cinema
"hey dr gor, thanks for letting me know know about this new group. extremely intriguing: however, i feel i might need a phd to converserse with u guys. don't get me wrong. i am disabled and i live thru movies. even tho i get more then the average bear ur group ur like the super heros of the movie worlds and i don't want to be chim-chim. i feel i have opinions to offer, i just may not be able to articullate as well as u and ur friends. i leave my fate in ur hands. i have thick skin. if i can ta " [More]
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Review by All Movie Guide
All Movie Guide
lost interest.
Louis Malle's film on the world of child prostitution is notably slack and uninvolving despite its controversial subject. Brooke Shields stars as Violet, the daughter of prostitute Hattie (Susan Sarandon), who is raised in a brothel in turn-of-the-century New Orleans' Storyville, and decides to adopt her mother's profession. Malle, who successfully broached the subject of incest in Le Souffle au Coeur (1971), tries to pull off a similar feat here, but despite his attempt to make a much older man's sexual relationship with a 12-year-old girl seem like a ho-hum alternative, he shies away from the issue by aestheticizing and muting the depiction of sex. Keith Carradine plays the essentially voyeuristic photographer Bellocq, whose attraction to the young girl is more contemplative than physical. There is little difference between his point of view and that of the film, and there is really no character for Shields to play, as Malle renders her as more object than subject. Viewers are left with the slow-moving spectacle of beautiful women lounging around their well-appointed workplace waiting for clients -- not particularly painful perhaps, but not too compelling either. That said, the film is beautifully photographed by Sven Nykvist, and for horror fans, cult actress Barbara Steele makes one of her last film appearances. ~ Michael Costello, All Movie Guide
 

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MovieJay
MovieJay
loved it.
netmanny
netmanny
loved it.
Dr_Gor
Dr_Gor
loved it.
digitalconquest
digitalconquest
lost interest.
madelejm
madelejm
disliked it.
Highlaner4812
Highlaner4812
disliked it.