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Power
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Directed by Sidney Lumet
A star-studded cast portrays political movers and shakers in this drama about politics and the media. Richard Gere is Pete St. John, a gilt-edged "image" advisor to the likes of powerful and often crooked politicians -- including a South American candidate for the top office in his country and, reluctantly, a conservative industrialist named Jerome Cade (J.T. Walsh). Cade is after a Senate seat vacated by Sam Hastings (E.G. Marshall), a liberal politician who fits in with the views that Pete once upheld. When things start to go wrong, it looks like Cade's gruff advisor Arnold Billings (Denzel Washington) might hold one of the keys to Pete's discovery of the truth about Cade -- and may be the reason why Hastings is leaving his job. ~ Eleanor Mannikka, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
An underrated political drama from director Sidney Lumet, who strays outside of his usual New York City confines for a flawed but fascinating tale of Washington, D.C., intrigue that unfortunately didn't hit pay dirt with audiences or critics due to a convoluted mystery plot and some phony domestic drama. While the central scandal at the center of this story proves somewhat anticlimactic, and scenes involving the hero's marital problems ring pretty hollow, what this film is chiefly about is the slick, cynical media manipulation that goes on in political races at every level. Lumet immerses his narrative in the details of exactly how and why it's done, and in these scenes, he renders a fascinating work that's equal parts exposé and primer. Whether advising a client on what to wear, what to say, how to talk, and most significantly, what to believe, or advising a campaign on which voice-over narrator or music to select for an ad campaign, Richard Gere oozes slimy authenticity and nervous, over-caffeinated energy in a scrupulously researched role. Anchored not just by Gere, but also by fine performances from E.G. Marshall and Denzel Washington, Lumet's film frays and crumbles at the edges only when straying too far outside the purview of its protagonist's professional life. That's certainly a serious problem, but not a fatal one by any means. For political process buffs that enjoy films such as The Candidate (1972) and Primary Colors (1998), Power is a solid enough effort to earn a spot on the must-see list. ~ Karl Williams, All Movie Guide
 

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