Movie news on your iPhone today!
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
Find movies you'll love
Planet of the Apes
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Watch trailer Watch trailer

Rent it, watch it, find it

Advertisement

All reviews for Planet of the Apes

    SpoutBlogSpoutBlog 5 Movies That Totally Ruined th ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "Last week, Roger Ebert finally got around to destroying reviewing Ben Stein’s anti-evolution film, Expelled: No Intelligence Allowed. Ebert’s rant is as cerebral as it is merciless, and it’s worth a read even if you haven’t seen the film. He makes some good points about how the film completely misunderstands the concepts of probability and selection, forming flashy but ultimately useless argument. Ebert’s rage is thinly veiled. He’s obviously upset that clear logical fallacies can go unnoticed by so many people. Sure, misreading Darwin while attempting to refute him is a lame move when engaging in scientific debate, but the practice is quite common when it comes to filmmaking. When movies deal with evolution, there’s an unspoken understanding that they can completely distort the theory beyond recognition. It’s kind of like calling someone a pedophile during a F " [More]
    SpoutBlogSpoutBlog Waterworld: The Musical. Clip o ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "Is it that odd to imagine a Waterworld musical on Broadway? After all, Xanadu made it to the big stage, so anything is possible for infamous turkeys like this one. Sure, it looks rather silly in the video below, the way Patrick Warburton and company have made it, but with the right creative team Waterworld could really work as a kitchy cult attraction. Maybe team up two randoms, the way Marvel has with the upcoming Spider-Man show directed by Julie Taymor and featuring music by Bono. Honestly, there seems to be nothing that Broadway producers could announce that’s any more ridiculous than what’s already been done there. So, terrible movie-turned-musical ideas may continue to be easy gags, and they’re possibly even going to make me laugh, but ultimately I would like to go see Con Air: The Musical (from 30 Rock) and Planet of the Apes: The Musical (from The Simpsons) and musicals made out of Waterworld, [More]
    aidanbrackaidanbrack Planet of the Apes (2001)
    by aidanbrack in The Bigger Picture
    liked it.
    Was this review helpful? [Be the first to tell us!]
    "As in the original 1968 film, Tim Burton’s Planet of the Apes tells the story of an American astronaut in the future who finds himself stranded far in the future on a strange and inhospitable world ruled by apes. Aside from a shared concept however, this ‘reimagining’ is a very different picture from its inspiration. Where the original film attempted to debate philosophical and moral issues and was, at points, a little pompous and melodramatic in tone, Tim Burton’s film is much pacier, more conventional action picture. Gone are the debates and court hearings and in its place is a focus on the politics of the ape society and more running around. The film’s opening is promising as we are introduced to a reckless astronaut, Leo, played by Mark Wahlberg, and see him crash and escape from his burning spacecraft. Emerging into a jungle, he finds himself in the middle of a hunt where humans are the prey, getting captured and sold to an orangutan slave trader. ... " [More]
    aidanbrackaidanbrack Planet of the Apes (1968)
    by aidanbrack in The Bigger Picture
    liked it.
    Was this review helpful? [Be the first to tell us!]
    "Inspired by a novel by Pierre Boulle, Planet of the Apes is the story of a group of four American astronauts who volunteer to be cryogenically frozen and sent into space. When the flight crash lands on a seemingly desolate planet in the year 3978, the surviving astronauts venture into the desert where they encounter a race of primitive humans ruled by fearsome simian overlords. Charlton Heston stars as Colonel George Taylor, a cynical man who volunteers for the mission to escape mankind and its inhumanity towards one another. Captured and isolated, he is unable to speak after being shot in the throat and must persuade the apes holding him prisoner that he is intelligent and that he deserves his freedom. Do I detect the distant sounds of allegory? I think I do. Yes, Planet of the Apes turns our world on its head to make points about man's barbarism to one another, the negative influence religion can have on free scientific inquiry, racial injustice, blood sports and keeping animals ... " [More]
    SpoutBlogSpoutBlog 2001 vs. Planet of the Apes
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "Everyone is familiar with the major controversy of the 1969 Oscars, but the real problem may not be that Oliver! was named Best Picture over Stanley Kubrick’s 2001: A Space Odyssey, which wasn’t even nominated in that top category. No, the bigger issue may be with Planet of the Apes receiving a special award for make-up — consider someone associated with that production may have stolen from or attempted to sabotage the ape wardrobe of Kubrick’s film. In a Vulture blog interview with 2001 ape performer and choreographer Dan Richter, the former mime implies something to that affect: We had stuff stolen. I can’t say it was Planet of the Apes, but they were the only other movi " [More]
    SpoutBlogSpoutBlog The Near-Naked New York Film Canon
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "In this week’s New York, David Edelstein lists a number of films that significantly represent the Big Apple. Because it’s a celebration of the magazine’s 40th anniversary, though, it only goes back as far as 1968 (the year of Planet of the Apes and Rosemary’s Baby). So, tragically no timely mention of The Naked City, which lost both its director and star recently. Edelstein claims to be upset about having to be exclusive, though he seems more concerned with the fact that there aren’t many recent films in the bunch (he asks if I Am Legend has cultural impact). There are a couple films from this decade cited, both of them bearing post-9/11 significance, though he glaringly avoids referencing [More]
 
Advertisement