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Pardon Us
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Directed by James Parrott
Two-reel comedy favorites Stan Laurel and Oliver Hardy made their feature-film debut (excluding their guest appearances in Hollywood Revue of 1929 and Rogue Song) in the prison comedy Pardon Us. A spoof of MGM's The Big House, the story begins when erstwhile bootleggers Laurel and Hardy sell a bottle of beer to a Prohibition agent. Shipped off to the pen, our heroes are escorted to the cell occupied by "The Tiger" (Walter Long), the toughest con in the joint. The Tiger immediately becomes the boys' best friend when he mistakes Laurel's loose-tooth "buzz" as an act of defiance! Swept up in one of The Tiger's escape attempts, Laurel and Hardy disguise themselves in blackface and lose themselves among the cotton-pickers in the Deep South, but Stan's buzzing tooth gives the game away when the warden's (Wilfred Lucas) car breaks down near the cotton fields. Carted back to jail, Stan and Ollie become heroes when they inadvertently foul up The Tiger's next prison break. Pardon Us was previewed in late 1930 in a 70-minute version titled The Rap, which included several sequences (including an elaborate prison fire) which never made it to the final, 56-minute release version. More recently, the film has been reissued to TV in the 65-minute print prepared for Great Britain; the "new" footage includes a handful of previously discarded gag punchlines and several outtakes. In its 56-minute state, Pardon Us is not bad for a first feature-length attempt, even though the best Laurel & Hardy features were still to come. Highlights include an "Our Gang"-style schoolroom routine with perennial Laurel & Hardy foil James Finlayson as the teacher (incidentally, June Marlowe, who played Miss Crabtree in the real Our Gang comedies, shows up as the warden's daughter), a pleasant song-and-dance number in blackface, and a hilarious dentist-office routine "borrowed" from the team's 1928 silent comedy Leave 'Em Laughing. Pardon Us was simultaneously filmed in several foreign languages -- one of which, the Spanish-language De Bote en Bote, has popped up from time to time on American cable television. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Laurel and Hardy's first feature-length comedy was apparently meant to be a two-reeler, and was only expanded because of a dispute between producer Hal Roach and MGM. Roach wanted to use the actual set from The Big House for his parody and the studio agreed -- if Laurel and Hardy would do a film for them. Roach refused this condition (odd, since the duo had been loaned out before), and proceeded to build his own prison set. The extra cost this ensued made it necessary to draw the film out to feature length. While Pardon Us is a very funny film, it is clear that it is based on a two-reel idea. The fact that it works as well as it does is due to the strength of the gags (the raspberry sound made by Laurel's loose tooth never grows old), and some very entertaining, though extraneous scenes. The schoolroom scene featuring James Finlayson appears out of nowhere, but it's still hilarious, and the part of the film featuring Laurel and Hardy as prison escapees in blackface could have been drawn out even longer, there's so much richness to it (in fact, there was actually more to these scenes that was edited out). The duo's little act, where Ollie sings and Stan does one of his light-footed, eccentric dances, is charming; they're one of the few comic acts of their era that could pull off a song and dance number without driving interest to a grinding halt in the eyes of today's audiences. While Pardon Us began life as a parody, it's not at all necessary to have seen The Big House to appreciate it fully. Laurel and Hardy would make many better feature films, but that says more about the overall high quality of their work than about any lacks this picture may have. ~ Janiss Garza, All Movie Guide
 

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