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Paper Moon
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Directed by Peter Bogdanovich
The year is 1936. Orphaned Addie Loggins (Tatum O'Neal, in her film debut) is left in the care of unethical travelling Bible salesman Moses Pray (Ryan O'Neal, Tatum's dad), who may or may not be her father. En route to Addie's relatives, Moses learns that the 9-year-old is quite a handful: she smokes, cusses, and is almost as devious and manipulative as he is. They join forces as swindlers, working together so well that Addie is averse to breaking up the team -- which is one reason that she sabotages the romance between Moses and good-time gal Trixie Delight (Madeline Kahn). Later, while attempting to square a $200 debt that Addie claims he owes her, Moses runs afoul of of a bootlegger (John Hillerman) and is nearly beaten to death by the criminal's twin-brother sheriff. Painfully pulling himself together, Moses gets Addie to her relatives, whereupon she adamantly refuses to leave his side. Photographed in black-and-white by Laszlo Kovacs, the film was made largely on location in Kansas and Missouri (an experience colorfully recalled by director Peter Bogdanovich in his 1972 book of essays Pieces of Time). 9-year-old Tatum O'Neal won a Best Supporting Actress Oscar, beating out costar Kahn. Paper Moon later became a short-lived TV series, starring Ryan O'Neal lookalike Christopher Connelly and future Oscar winner Jodie Foster. ~ Hal Erickson, All Movie Guide
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CinemaRianCinemaRian Paper Moon (1973, USA, Peter Bo ...
by CinemaRian in CinemaRian Blog
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1 out of 1 people found this review helpful. [What do you think?]
"Here is another movie that I was not enthusiastic about but was glad that I saw it. The story sounds awful: a heartwarming tale about a con artist who through circumstance is forced to travel with a seven year old girl, and they bond through a road trip. Its sounds like crap, yes, but the movie has an undercurrent of darkness to it, and protagonist of the film is the girl, not the con man. The acting is certainly impressive- the con man, named Moze, is played by Ryan ONeil, and the gi " [More]
dibotdibot I Am the Science of Southland P ...
by dibot in dibot Blog
loved it.
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"Shame was downright action packed compared to the last couple of Bergman ("Saraband") films I've watched. Max Von Sydow ("Rush Hour 3") and Liv Ullmann ("Saraband") are a very unhappily married couple whose house seems to be in the middle of a war zone. Neither half of the couple are very cool. They both do some pretty despicable things. This wasn't my favorite " [More]
mercurialmercurial Re:Top 5 black and white movies ...
by mercurial in Top 5
"Entirely in B&W: 1.) Angel-A 2.) Ed Wood 3.) Clerks 4.) Man Bites Dog 5.) [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Paper Moon was Peter Bogdanovich's third straight commercial and critical success in the early Seventies, and it was in many ways a combination of the first two. It had the black-and-white retro feel of his John Ford ode, The Last Picture Show, along with some of the energetic comedy of his Howard Hawks ode, What's Up Doc?. In fact, Paper Moon owes a great deal to Hawks. If the striking cinematography is all Ford, the movie has the same straight-faced folly of Hawks' best comedies (Twentieth Century, Bringing Up Baby, His Girl Friday), and it also manages a touch of the rueful shifts of tone that characterized Hawks movies. The deadpan acting only adds to the enjoyment. Ryan O'Neal, as a Bible selling con-man, was never more likable, and Madeline Kahn also reached a career highpoint, nominated for an Oscar as a "dancer" named Trixie Delight. But the revelation was Ryan's real-life daughter Tatum O'Neal, who won an Academy Award in her first screen appearance. Her career never again reached such heights. Pity the same can be said for Bogdanovich, who also never came close to equaling his initial successes. ~ Brendon Hanley, All Movie Guide
 

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