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Out of Time
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Directed by Carl Franklin
Director Carl Franklin and actor Denzel Washington team up again (following 1995's Devil in a Blue Dress) for the crime thriller Out of Time. Washington stars as Matt Lee Whitlock, the well-respected chief of police in a quiet Florida community. While in the process of getting a divorce from fellow detective Alexandra (Eva Mendez), Matt engages in an affair with his high school sweetheart Anne (Sanaa Lathan). Unfortunately, Anne is married to the extremely jealous Chris (Dean Cain), a former pro football player who works as a security guard. After a major murder occurs in the community, Matt finds himself the main suspect. With the help of his medical examiner pal Chae (John Billingsley), Matt must solve the case before he is found guilty himself. Out of Time premiered at the 2003 Toronto Film Festival. ~ Andrea LeVasseur, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Judging by its box-office receipts, the anonymously titled thriller Out of Time proved that audiences aren't quite ready to see Denzel Washington squirm for the better part of 100 minutes. It's a shame, really, because Carl Franklin's sultry, funny, deeply ironic crime yarn provides the venerable performer with one of his best roles, and gives him the opportunity to play against his cool, collected (and since Training Day, arrogantly menacing) persona. Dave Collard's script mines its twists and turns from the best film noirs of the '40s and grafts them onto a tart marital-reconciliation subplot. It's the kind of material Hitchcock would've relished interpreting, and Franklin proves up to the task, even if he occasionally loses grip on the film's light-but-menacing tone -- particularly in the straight-to-video riverboat climax -- in a way that Hitch would've never allowed. Eva Mendes and the redoubtable Sanaa Lathan make the most of their limited screen time, the former pulling off a strong, sympathetic performance comparable to the one that put Jennifer Lopez on the map five years prior in Out of Sight. It's Washington, however, who holds the film together, never currying easy audience sympathy as he doggedly, sneakily, and (at times) hilariously attempts to cover his tracks. ~ Michael Hastings, All Movie Guide
 

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