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Opening Night
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Directed by John Cassavetes
John Cassavetes' Opening Night stars Gena Rowlands (Mrs. Cassavetes) as end-of-tether Broadway actress Myrtle Gordon. She is about to open in a play written by her old friend Sarah Goode (Joan Blondell), but a series of pre-show setbacks and disasters threaten to destroy not only the production but Myrtle's sanity. The actress is especially rattled when one of her staunchest fans dies in an accident. In the face of bleak reality, just how important is the old "show must go on" ethic? Supporting Gena Rowlands are such veterans of the New York-Hollywood shuttle as Ben Gazzara, Zohra Lampert, Paul Stewart, James Karen, and several friends and relatives of the principals. ~ Hal Erickson, All Movie Guide
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analogzombieanalogzombie Cassavetes primer
by analogzombie in analogzombie Blog
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"Cassavetes is one of those directors you either love or hate. Much the same way people are totally polarized on the works of Tarantino, or the film Magnolia, Cassavetes has driven film fanatics to loathe him, critics to praise him, and general audiences to simultaneously revile and admire him. He can either open an entire world of film to you, or simply reinforce your preconceived " [More]
RisseladaRisselada Re:Scriptless
by Risselada in Viewing with a purpose
"[quote user="Jymkata"]Much of John Cassavetes' ouvre is highly improvised. I think he started films with a rough shooting script, but he insisted on his talented casts producing a more natural dialogue. Opening Night and Faces are just two of the more blatant examples of this that I can think of. [/quote " [More]
JymkataJymkata Re:Scriptless
by Jymkata in Viewing with a purpose
"[quote user="tokyorama"] Hi, I'm trying to find films specifically by directors who sometimes shoot without using conventional scripts like Hong Sang-soo, who I've read likes to shoot from a detailed treatment.Apichatpong Weerasethakul's films (I think) and some of Wong Kar-Wai's stuff are also examples of the types of films I'm looking for. Any suggestions would be extremely helpful. Thanks. [/quote] Much of John Cassavetes' ouvre  " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
John Cassavetes, one of the film business' first truly independent directors, specialized in a kind of semi-improvised, emotionally wrenching brand of naturalism, which usually tended to polarize audiences. Opening Night, along with A Woman Under the Influence (1974) and Love Streams (1984), all starring his wife, Gena Rowlands, could be thought of as his trilogy on a woman's emotional disintegration. The loosely constructed script concerns the eagerness of the cast of a play in rehearsal to avoid confronting the lead actress about the damage her alcoholism is doing to the production. When a possibly imagined tragedy spins the actress into a sort of breakdown, no one seems to be able to help. As usual, Cassavetes gives the actors free rein, and there are some overindulgent scenes. Yet there is far more truth in this gritty film than in a year of Hollywood's output combined. Rowlands is brilliant as the actress, and her agonized ordeal becomes a powerfully moving experience. Likewise, the rest of the impressive cast, which includes Cassavetes (as her husband), Ben Gazzara, Joan Blondell, Peter Falk, and Paul Stewart, all turn in memorable performances. While possibly lacking the unified impact of A Woman Under the Influence, this is still very much a film worth seeing. ~ Michael Costello, All Movie Guide
 

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