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One-Eyed Jacks
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Directed by Marlon Brando
Western bandit Kid Rio (Marlon Brando) is betrayed by his partner, Dad Longworth (Karl Malden). Escaping from prison, Rio learns that Longworth has become a wealthy and influential lawman. Rio thirsts for revenge, but bides his time, waiting for the right moment to strike. In the meantime, Rio spitefully seduces Longworth's adopted daughter, Louisa (Pina Pellicer). After killing a man in self-defense, Rio is publicly whipped by the powerful Longworth. When Rio's old gang accidentally kills a child during another holdup, Longworth has the perfect excuse to eliminate the troublesome Rio once and for all by hanging him. But that's not what happens at all. Stripped to its fundamentals, One-Eyed Jacks is a workable Western, worthy of perhaps 90 minutes' running time. But when Marlon Brando succeeded Stanley Kubrick in the director's chair, he allowed the film's 60-day shooting schedule to stretch into six months, and delivered a finished product running in excess of four hours. The current 141-minute version of One-Eyed Jacks isn't as ponderous as some critics have claimed, but it's still too much of a good thing. While Brando the director isn't precisely in the Kubrick class, Brando the actor delivers one of his finest and most focused performances (though he is upstaged throughout by Karl Malden). ~ Hal Erickson, All Movie Guide
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JakeStevensJakeStevens For A Dollar, You Can't Beat It
by JakeStevens in JakeStevens Blog
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"This is, in my opinion, one of the better Westerns I've sat through, and I've seen a lot. Marlon Brando (R.I.P.) and Karl Malden's performances are fantastic, Pina Pellicer (R.I.P.) is mostly believeable as the naive but beautiful young woman who finally wins Kid Rio's heart, and the inimitable Slim Pickens is apropriately greasy as Dad Longworth's sleazy right hand man. The cinematography is beautiful, especially the scenes on the ocean (makes me want to go there). I've " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Often described by director Martin Scorsese as his favorite Western, Marlon Brando's only foray into directing resulted in one of the most interesting films in the genre. Brando plays an outlaw abandoned on a Mexican mountainside by his partner Karl Malden, while escaping from a posse. After doing a five-year hitch in a Mexican prison, Brando goes looking for revenge. A film whose troubled production history included contributions by Sam Peckinpah and Stanley Kubrick, in many ways it's a precursor to the operatic, slow-motion oaters of Sergio Leone. Basically a standard Western, it's raised a few notches by a great performance from Brando, who is given all he can handle by a memorably sadistic Malden. The pace of the scenes is undeniably slow, and one's enjoyment of the film probably depends on the extent to which viewers find Brando's myriad expressions of slow-burning rage compelling. Either Brando has an excellent eye or he was lucky in his choice of cinematographer Charles Lang, because the photography of Monterey, the Sierras, and the Mexican coastline is spectacular. Katy Jurado, Slim Pickens, Ben Johnson, and the always disturbed Timothy Carey round out the colorful cast. ~ Michael Costello, All Movie Guide
 

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