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Once Were Warriors
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Directed by Lee Tamahori
This powerful drama was a major hit in its native New Zealand, outgrossing Jurassic Park in Kiwi cinemas. Jake and Beth Heke (Temurea Morrison and Rena Owen) are a couple of Maori descent who are living in a slum in Aukland. While it's obvious that they still love each other, Jake's alcoholism has driven a wedge into their relationship and has left their children emotionally scarred. Jake is charming while sober, but when drunk, he's a violent psychopath given to blink-of-an-eye mood changes and terrible cruelty against his loved ones. Liquor has also made it difficult for Jake to hold onto a job, leaving him dependent on the dole to feed his family. Nig (Julian Arahanga), Jake's oldest son, has turned his back on his father and joined a gang of Maori youths whose initiation rituals include tattooing and torture. Jake's 13-year-old daughter Grace (Mamaengaroa Kerr-Bell) prefers to spend her time with her drug-addicted boyfriend -- rather than stay home and fight off the advances of her father's friends. And Boogie (Taungaroa Emile) ends up in juvenile hall when Jake's drinking prevents him from going to court to speak on Boogie's behalf. Once Were Warriors was based on an acclaimed novel by Alan Duff. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
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Films as honest and unforgiving as Once Were Warriors are rare. Many filmmakers espousing the stories and causes of oppressed minorities tend to glamorize the people they are promoting; not so New Zealand's Lee Tamahori. In his feature film debut, Tamahori throws an intense glare on the violent, alcoholic life of a Maori family, never bringing judgment or excuses to the story, based on a novel by Alan Duff. For her role as a woman buffeted by her drunken husband and her angry, bawdy, gangster son, Rena Owen was honored with a best actress award at the Montreal World Film Festival in 1994. Once Were Warriors is not easy to watch; Tamahori makes few compromises for the sake of entertainment in this bold, sometimes joyless, but finally exhilarating tale of overcoming poverty and social backwardness. The rough, raw footage is especially impressive considering that, a mere year later, Tamahori came to Hollywood and directed the slick, engaging, and persuasively American neo-noir thriller Mulholland Falls. ~ Michael Betzold, All Movie Guide
 

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