Best Movie Lists DVD giveaway
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
October
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Rent it, watch it, find it

Advertisement
Borrowing its title from a book by American journalist John Reed (of Reds fame), Sergei Eisenstein's Ten Days That Shook the World reenacts the crucial week-and-a-half in October, 1918, when the Russian Kerensky regime was toppled by the Bolsheviks. While Eisenstein takes certain liberties in characterization--those opposing the Bolsheviks are depicted as mental defectives or grossly overweight clowns--his re-creation of such events as the storming of the Winter Palace are painstakingly meticulous. The "actor" playing Lenin, a nonprofessional worker named Nikandrov, so closely resembles the genuine article that the effect is positively eerie. So authentic is Eisenstein's reconstruction of events that, for years, TV documentaries have been passing off clips from Ten Days That Shook the World as "actual" scenes of the Revolution. While impressive on a technical level, the film never truly stirs the audience's emotions; Eisenstein purists have argued that this "alienation" technique was the director's intention all along, forcing the viewer to observe the events intellectually rather than emotionally. Produced in celebration of the tenth anniversary of the October Revolution, Ten Days That Shook the World was initially titled October. ~ Hal Erickson, All Movie Guide
[More]
CinemaRianCinemaRian October (1927, USSR, Sergei Eis ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"A strong contender for Sergei Eisenstien's best film, October 1917 is a masterful account of the Russian Revolution and the rise of Lenin to power. Created as a piece of political propaganda, the filmmaking is powerful that it transcends it ideas and becomes a marvelous film regardless of your political persusaion. What a stirring movie. Like Eisenstien's other silents, the movie has a unique aestheic heavilly reliant on editing- extensive use of montage (duh " [More]
chesterfilmschesterfilms Highlight of my day!
by chesterfilms in chesterfilms Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"If you haven't discovered Eisenstein, than here is a good place to start. I have no idea how this movie was made in 1927. Amazing editing. Highlight of my day! " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Expanding on his editing experiments in Battleship Potemkin (1925), Sergei Eisenstein melded documentary realism with narrative metaphor to depict the pivotal events of the Russian Revolution in October (1927). Commissioned to commemorate the 10th anniversary of the 1917 October Revolution, Eisenstein focused on a few key events from February 1917 to October 1917. Underlining the symbolic importance of those episodes, Eisenstein constructed October as an elaborate "intellectual montage," deriving meaning from the metaphorical or symbolic relationships between shots. Drawing out narrative time through cutting, Eisenstein turns an opening drawbridge into a sign of the divisive struggle in St. Petersburg. Similarly exaggerating the time that it takes provisional leader Kerensky to climb a palatial staircase, and intercutting shots of Kerensky with a Napoleon statue and a mechanical peacock, Eisenstein satirically reveals Kerensky's imperial hubris and vanity. Having done extensive research for accuracy, Eisenstein also staged mass battles, particularly the storming of the Winter Palace, with thousands of extras, including the Soviet army. Before October's release, however, Josef Stalin's ascent to power required Eisenstein to edit out all references to Stalin rival Trotsky. Neither the Soviet public nor the Soviet leaders cared for the finished film; the government accused Eisenstein of "formalist excess." An edited version of the film was released in the U.S. using the title of John Reed's book, Ten Days That Shook the World. While the film's whole is not as great as its parts, the abstract power and narrative innovation of its greatest sequences still render it a seminal work in the development of film form. ~ Lucia Bozzola, All Movie Guide
 

Community ratings

mavens
Spout mavens
loved it.
most people
Most people
liked it.

Other opinions

chesterfilms
chesterfilms
loved it.
kaspergutman
kaspergutman
loved it.
fe_blank
fe_blank
liked it.