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No Country for Old Men
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All reviews for No Country for Old Men

    KevynKnoxKevynKnox NO COUNTRY FOR OLD MEN a film r ...
    by KevynKnox in KevynKnox Blog
    loved it.
    Was this review helpful? [Be the first to tell us!]
    "(this review was first published at www.thecinematheque.com on 2/13/08) Leave it to the Coens, denizens of the mundanely macabre, to create a villian so heinous, yet so methodically efficient (yes, even hired assassins have a work ethic) that you actually find yourself both titillated and repulsed by the mere fact that you are rooting for him to track down and kill his intended quarry. Okay, maybe that was just me. Sure, he likes to use a high-powered air gun to put holes through people's heads and at his flippantly morosest, flips a coin to decide the fate of someone unlucky enough to look his way, and yes, he does seem to get quite the bug-eyed satisfaction over strangling a cop with the very handcuffs he has been shackled in, but Javier Bardem plays hired gun Anton Chigurh with such a straight-faced cruelty, such a blasé yet secretively gleeful matter-of-fact workmanship, as if channeling the ghost of Robert Mitchum from whatever netherworld he may currently be residing i ... " [More]
    SpoutBlogSpoutBlog 10 Supporting Characters Who De ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "If Tyler Perry gets an Oscar nomination for his acting in Madea Goes to Jail, can a washed-up actress scold him for taking away female roles? Actually, could it just be Cuba Gooding Jr. in drag, a la Boat Trip? Seriously, though, Madea won’t be up for any Academy Awards next year, but damn is Perry’s character popular. Enough that the sassy matriarch has now evolved from a supporting character into the star of her own vehicle (which gave the filmmaker his biggest opening yet this past weekend). Yes, it’s true that Madea is a central figure in most of Perry’s films and has previously been the main protagonist in his plays (including the one Madea Goes to Jail is based on), but in the movie world she was introduced as a secondary role in [More]
    peiganpeigan WHAT THE HELL
    by peigan in peigan Blog
    disliked it.
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    "This movie..ahh this movie SUCKS A LOT worst movie ever i think the Oscar guy's watched the wrong movie or someting cuz best movie HAH yeah right! Best piece of crap is what it should have won " [More]
    RisseladaRisselada Burn After Reading
    by Risselada in Risselada Blog
    loved it.
    Was this review helpful? [Be the first to tell us!]
    "Burn After Reading You must first know (if you don't know me well already) that I am a full out Coen brothers fanatic. I have always loved everything they have done to an extreme. I have rated every single movie they have directed a 10 out of 10 except for their first Blood Simple which just about made it there with a 9 out of 10. Yes even the often despised The Ladykillers and Intolerable Cruelty for me are amongst my top tier of most enjoyable cinema. Some may argue that their work was so formative in my love of film altogether and has grown to such hyperbolic proportions that I no longer have a real critical eye for any of their work and would be blind to any real sub-par work they may have or will ever release. Perhaps this is true in a ways, but as long as I truely am enjoying myself watching their movies I have no reason to feel bad. And I LOVE THEM ALL! So obviously I had been looki " [More]
    atactaatacta Burn After Reading
    by atacta in atacta Blog
    loved it.
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    "I think its fits in nicely within the Coen ouevre (i.e. people, sometimes dumb, sometimes not, getting involved in situations way over the heads) and they must have needed a break after they're masterpiece of No Country for Old Men and the grand attention it got....the problem with the film is that the thriller aspects of the film occur too late into the third act. So, in the meantime, the audience has to get by on enjoying the wild, over the top acting.....which is pretty good for the most part. However, if you are going to cast Pitt AND Clooney its going to be a distraction anyway - but when they are both trying so hard to give it that "Raising Arizona" intensity its alot to take in. Malkovich, McDormand, Swinton and Jenkins, all great actors, are sucked into the mayhem of the wildness of the script and are overwhelmed by it.*** / ***** No Country for Old Men (2007) " [More]
    usesoapusesoap The best and the rest in 2008 m ...
    by usesoap in usesoap Blog
    loved it.
    Was this review helpful? [Be the first to tell us!]
    "Make no mistake, 2008 was the year of the woman. From politics to multiplex, they were the most newsworthy. At the box office, week after week brought about stories about how, mother of all shockers, women enjoy going to the movies too. From summer “event movies” (usually an exclusive boys tree house where "No Gurlz Allowd"), to record-breaking such as best opening for a female director, women were the new black at the box office. In 2008: Twilight was the highest-grossing film opening by a female director (at $70 million); It received the second-largest advanced ticket sales, trailing only The Dark Knight; Sex and the City was the best opening ever for an R-rated comedy; The SATC gals also debuted as the fifth best R-rated film of all time; The film also bested Mission Impossible as the best debut of a film based on a TV show. Now, perhaps next year we can do the same with good movies. Sex in the City was the female equivalent of Iron Man, replacing magical gad ... " [More]
    SpoutBlogSpoutBlog The Most Misunderstood Films of ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "I’ll start with a short disclaimer: I fully recognize the potential arrogance in claiming to know the four most misunderstood films of the year. To say that I have some supreme viewing power that allows me to see these films for what they truly are reeks of a high and mighty attitude that I’d rather stay away from. However, as many critics are preparing their final tallies of what they loved and hated in 2008, I simply feel the need to put into print a positive perspective on four films that seem to be frequently criticized or overlooked. That being said, there is a certain irony in the fact that all four of these films deal with a kind of misunderstanding. Whether it be a mix-up between characters or a challenging thematic element that dares the viewer to reevaluate the way they approach the subject matter, I feel each of these films does something particularly audacious with the concept of false impression. One other quick side note: It is impossible for me to get to the core of ... " [More]
    KarinaKarina The Curious Case of Benjamin Bu ...
    by Karina in Karina on SpoutBlog
    hasn't rated it.
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    "To borrow a line from Lou Lumenick: The Curious Case of Benjamin Button is this year’s Forrest Gump. This is not really arguable. In addition to sharing a screenwriter (Eric Roth), Robert Zemeckis’ 1994 Best Picture winner and David Fincher’s 2008 Best Picture front-runner (at least, as of this writing) both put groundbreaking special effects to the service of sprawling stories, spanning many decades and weaving a breadcrumb trail through modern American history, in which a man holds a torch for a woman who can’t reciprocate his love until her dreams of autonomy are spectacularly dashed. For me, the Gump comparison is a pejorative, a shorthand way to say, “This film will likely make a lot of money and win a lot of awards, and yet is so phony and cloying and gimmicky that its success will some day be seen by some as a tragedy.” But to others, the second coming of Gump would be a blessing. An Oscars-bait blockbuster? As Lumenick put it, before seeing the " [More]
    SpoutBlogSpoutBlog The Curious Case of Benjamin Bu ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "To borrow a line from Lou Lumenick: The Curious Case of Benjamin Button is this year’s Forrest Gump. This is not really arguable. In addition to sharing a screenwriter (Eric Roth), Robert Zemeckis’ 1994 Best Picture winner and David Fincher’s 2008 Best Picture front-runner (at least, as of this writing) both put groundbreaking special effects to the service of sprawling stories, spanning many decades and weaving a breadcrumb trail through modern American history, in which a man holds a torch for a woman who can’t reciprocate his love until her dreams of autonomy are spectacularly dashed. For me, the Gump comparison is a pejorative, a shorthand way to say, “This film will likely make a lot of money and win a lot of awards, and yet is so phony and cloying and gimmicky that its success will some day be seen by some as a tragedy.” But to others, the second coming of Gump would be a blessing. An Oscars-bait blockbuster? As Lumenick put it, before seeing the " [More]
    SpoutBlogSpoutBlog Josh Brolin’s Oscar Chances: Ar ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "It happened last year for Cate Blanchett. The actress starred in a biopic that critics ripped to shreds, a film that basically bombed at the (American) box office, and yet she managed to score a Best Actress nomination for her reprised performance as the titular monarch of Elizabeth: The Golden Age. Additionally, Blanchett earned another nomination for Best Supporting Actress the same year, for her portrayal of Bob Dylan in I’m Not There. Now Josh Brolin could achieve a similar feat this year, not just by earning separate nominations for playing the titular president of W. and portraying politician-turned-assassin Dan White in Milk, but also by overcoming the difficulty of earning recognition in a lead category for a film that otherwise is not very well regarded. Are Brolin’s hurdles higher than Blanchett’s, though? With all the praise he’s rece " [More]
 
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