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Nightwatching
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All reviews for Nightwatching

    KarinaKarina Peter Greenaway: ‘Dazzling’ Edu ...
    by Karina in Karina on SpoutBlog
    hasn't rated it.
    1 out of 1 people found this review helpful. [What do you think?]
    "My favorite part of this NY Times story about filmmaker Peter Greenaway’s “dazzling confection” Leonardo’s Last Supper––wherin he “enhanced” the original painting for one night only by introducing sweeping lights, “rhythmic” music, and the generally ill-advised planetarium aesthetics––is the explanation of why the event almost didn’t happen: A vigorous debate erupted earlier this year after some art historians recommended that Mr. Greenaway be denied access to “The Last Supper.” They feared for the well-being of the painting, which began to deteriorate only 20 years after its completion in 1498. Cultural officials also objected to what they saw as the improper use of a monument with an intrinsic universal value…“I don’t know why we would allow anyone to run the risk of possibly damaging a work of art in which the Italian state has invested a huge number of resources in the la " [More]
    SpoutBlogSpoutBlog Peter Greenaway: ‘Dazzling’ Edu ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "My favorite part of this NY Times story about filmmaker Peter Greenaway’s “dazzling confection” Leonardo’s Last Supper––wherin he “enhanced” the original painting for one night only by introducing sweeping lights, “rhythmic” music, and the generally ill-advised planetarium aesthetics––is the explanation of why the event almost didn’t happen: A vigorous debate erupted earlier this year after some art historians recommended that Mr. Greenaway be denied access to “The Last Supper.” They feared for the well-being of the painting, which began to deteriorate only 20 years after its completion in 1498. Cultural officials also objected to what they saw as the improper use of a monument with an intrinsic universal value…“I don’t know why we would allow anyone to run the risk of possibly damaging a work of art in which the Italian state has invested a huge number of resources in the la " [More]
 
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