Movie news on your iPhone today!
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
Find movies you'll love
Night Nurse
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Rent it, watch it, find it

Advertisement
William Wellman's Night Nurse survives as a potentially interesting but ultimately unsatisfying melodrama about a nurse discovering evildoings in the household where she is caring for a couple of sick children. Based on a 1930 novel by Dora Macy, Wellman's probe into medical corruption is one of the director's more cynical looks on Depression-era America, but most of the characters are weakly drawn and the denouement a cheat, cinematically. Barbara Stanwyck plays Lora Hart, an ambitious student nurse whose first assignment after graduation is tending to a couple of deathly ill little girls, Nanny (Marcia Mae Jones) and Desney (Betty Jane Graham). Despite their posh surroundings, the girls are apparently suffering from malnutrition; their mother, Mrs. Ritchey (Charlotte Merriam), is hopped-up on bootleg booze ("I'm a dipsomaniac! A dipsomaniac I tell ya! And I like it!"), and the girls' physician (Ralf Harolde) is a society quack with a facial tick. Lora soon realizes that the good doctor is deliberately starving the children to death in order to gain access to their trust fund and that Mrs. Ritchey is kept in line by Nick (Clark Gable), a black-clad gangster posing as the family chauffeur. A desperate Lora proposes to contact the authorities, but her medical sponsor (Charles Winninger) deems that unethical and instead suggests that she find a solution from inside the family. Nearly at the end of her ropes -- and having accepted one too many blows to the chin from Nick -- Lora is saved by an admirer, good-natured bootlegger Mortie (Ben Lyon), whose "friends" take the evil chauffeur on a final "ride." None of this makes much sense, and the film appears to have been tampered with along the way. One of the children disappears without any explanation halfway through, and the hospital establishment's reticence is never properly explained. Instead of a coherent plot, Night Nurse, in typical pre-Production Code style, offers quite a few scenes of Barbara Stanwyck and fellow nurse Joan Blondell dressing and undressing and a rather brutal portrayal by a very young Clark Gable on the threshold to fame. Warner Bros. had borrowed Gable from MGM to play the despicable chauffeur when the original choice, James Cagney, suddenly proved too valuable a commodity for what was actually a supporting role. ~ Hans J. Wollstein, All Movie Guide
[More]
 
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
lost interest.
The "melo" far outweighs the "drama" in Night Nurse, an overheated, over-the-top melodrama that, while not a good film, holds a certain fascination. Very definitely made in the pre-Code days of the cinema, Nurse is memorable for its sheer cynicism and for the huge number of taboos it focused on. These taboos -- child abuse, disregard for authority, justified murder, a "good" crook, numerous shots of lingerie-clad ladies, provocative dialogue, etc. -- would be strictly forbidden just a few years later, and seeing them onscreen in this manner provides a bracing shock to the viewer. Unfortunately, the screenplay doesn't really do anything other than shock -- it's mechanical and clunky, exploiting the basic premise without exploring it, and providing characters that are paper-thin throughout. It's well cast, at least, with the screen star that was the absolute best at being both tough and tender, Barbara Stanwyck, and the eternally wisecracking Joan Blondell, as well as a surprisingly brutal Clark Gable. Director William Wellman directs Nurse forcefully, but in the end, the script keeps it all at the potboiler level. ~ Craig Butler, All Movie Guide
 

Community ratings

mavens
Spout mavens
haven't rated it
most people
Most people
liked it.

Other opinions

romancelover24
romancelover24
loved it.
Marlowe
Marlowe
is neutral about it.