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Night Has a Thousand Eyes
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Directed by John Farrow
A man who dreams of seeing the future discovers the horrible burden that it can carry in this film noir suspense story. Suicidal Jean Courtland (Gail Russell) is prevented from killing herself by her fiancée Elliot Carson (John Lund). When they consult psychic John Triton (Edward G. Robinson), he confesses that he used his powers to bring on her death. Years ago, Triton was a phony mentalist in a vaudeville act, but he began seeing genuine visions of the future, most of which portended tragic results. After a premonition of the death of his wife Jenny (Virginia Bruce) in childbirth, a terrified Triton went into hiding for five years; upon his return, he discovered that his wife had married Whitney (Jerome Cowan) shortly after John was declared dead...and she died giving birth. Years later, Jenny's child grew up to be Jean Courtland, and when Triton receives a vision of Whitney's death in a plane wreck, he rushes to California in hopes of stopping fate. However, he's foreseen a tragic future for both Jean and Whitney and is afraid of the agony that awaits them. The Night Has a Thousand Eyes was adapted from a novel by Cornell Woolrich. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Night Has a Thousand Eyes is a somewhat lesser-known noir-ish thriller that, despite some flaws, packs quite a punch. Those who insist that a film remain tightly within the boundaries of its perceived genre will have problems with Night, as its main element -- that a man could indeed possess some sort of psychic power that enables him to foresee the future -- may be too "fantastic" for them to accept. Certainly, it adds a different tone to much of the proceedings, making this a noir that is creepy and eerie, rather than simply tense. Director John Farrow does a masterful job of blending these disparate tones, and the result is taut, exciting, and suspenseful. John F. Seitz's shadow-laced cinematography is of enormous help in capturing the film's particular mood, as is the evocative Victor Young score. But it's Edward G. Robinson that really holds the film together, delivering a captivating performance that makes good use of the actor's special talents. The sense of loneliness and sadness that lurks beneath his every word adds a beautiful emotional layer to the scenes, giving them a lovely richness. ~ Craig Butler, All Movie Guide
 

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