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Directed by Sidney Lumet
A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Max is disgusted at seeing his old friend turned into a freak; even so, he finds Diana fascinating and begins an affair with her. Eventually, Schumacher realizes that Diana is merely a ratings machine with legs and returns to his wife (Beatrice Straight). Meanwhile, the owner of the network (Ned Beatty), in his own way as loony as Beale, convinces the anchorman to begin preaching to the public a "You can't win, so why try?" philosophy. Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide
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pippin06pippin06 Viewing Network for the AFI Pro ...
by pippin06 in Reel Thoughts
liked it.
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"What's the AFI Project, you ask? For more information, or if you just enjoy my bemused ramblings, read here:[More]
NewAlternativeRockNewAlternativeRock A visionary movie
by NewAlternativeRock in NewAlternativeRock Blog
liked it.
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"Faye Dunaway, WIlliam Holden and Peter FInch rock and roll in this great movie, that was apparently visionary when it was made. had I seen it when it first came out, I might have thought that the filmmakers were nuts. But it is so very close to reality. The screenplay by Paddy Chayefsky is incredibly insightful and really visionary, while being funny at times. Sidney Lumet's direction is strong and he does the difficult task of blending satire with a tamer truth &nbs " [More]
JakeStevensJakeStevens Simply Put: Genius
by JakeStevens in JakeStevens Blog
loved it.
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"It's scary to realize that this film was made 32 years ago, and the topics so perfectly satirized in the script are still relevant today. It's genius lies in the script: Paddy Chayefsky had a finger on the pulse of the people then, and apparently, today. Even the title is darkly humorous: Network. How bland can you get? I realized I was watching one of the best films I'd ever see by the time I got to Ned Beatty's monologue - what a showstopper! If you have a strong dislike for today's televis " [More]
RisseladaRisselada movie year countdown - round #2 ...
by Risselada in Risselada Blog
loved it.
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"This blog entry is part of my “movie year countdown round #2”. Read more about that here. Network I'm not surprised to find out that this movie had five different actors nominated for Academy Awards, three of them won, and that it also won the award for best scre " [More]
SpoutBlogSpoutBlog Kate Winslet’s Oscar Chances: I ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Kate Winslet’s performance as a concentration camp guard in The Reader " [More]
mcioccomciocco Re:Weekly Theme for July 20: Te ...
by mciocco in Weekly Theme
"A few come to mind: Network - At the time, Paddy Chayefsky tried to imagine the most ridiculous and absurd things that could happen on TV news... Frighteningly, it doesn't seem as ridiculous or absurd these days. Groundhog Day - TV weatherman caught in a space/time loop. Great movie. [More]
flairflair Re:Top 5 Overrated Movies
by flair in Top 5
"It's fun to read over threads sometimes. Geez, I talk a lot. Anyway, flair, your disdain for Scorsese aside (because I was generally feeling non-love for the oh so insane one, but correct me if I'm wrong), I liked this choice (Closer). I know a lot of people who like this movie, and I just could not get into it, for the same reasons (though, I doubt I put them so eloquently). And I've never heard of The Hospital.&nbs " [More]
RisseladaRisselada Re:Top 5 Overrated Movies
by Risselada in Top 5
"[quote user="flair"] 3) The Hospital (1971) I'm not sure this movie is still well-known enough to be truly overrated, but at the time this shrill, misogynistic, self-satisfied and self-defeating satire actually attracted some good notices. The combination of bombastic screenwriter Paddy Chayefsky, pedestrian director Arthur Hiller and george C. Scott in real social realist " [More]
unclefesteringunclefestering Re:Weekly Theme for September 1 ...
by unclefestering in Weekly Theme
"Uhh, yeah, Right... Well I'm gonna have to disagree with you about American Psycho, there, Peter. Jason Batemen loves his job. He gets to go into work anytime he wants. He spends his time reading magazines and listening to his walkman. While, I wouldn't find that fulfilling,he's not looking for fulfillment in his work. He's looking for that in his hobby. I would add [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
loved it.
Part of a cycle of 1970s conspiracy films and a sharp satire of the TV business, Network bitterly critiques corporate culture's impact on the spread of information and the resulting cult of the TV guru. As directed by Sidney Lumet and scripted by Paddy Chayefsky, Network takes a relatively straightforward approach to its outrageous acts, even those of Faye Dunaway's ambitious programmer, lending a disturbingly matter-of-fact tone to the corporation's most venal and dehumanizing machinations. The mad ravings of Peter Finch's messianic Howard Beale become an almost sane response to the systemic rot, but the corruption is too deep and the TV audience too fickle. A popular and critical hit, Network was praised for wittily yet somberly tapping into the mid-'70s mood of cultural disaffection, providing the perfect catch phrase for any and all frustrations, "I'm mad as hell and I'm not going to take it anymore!" Nominated for ten Oscars including Best Picture, Network won four awards, including Best Screenplay, and three out of the four acting awards: Best Actress for Dunaway; Best Supporting Actress for Beatrice Straight as William Holden's bitterly wronged wife (at that time, the briefest Oscar-winning performance in history, since bested by Judi Dench's role in Shakespeare in Love); and a posthumous Best Actor for Finch. While journalists in 1976 howled about the film's inaccurate absurdity, the continuing conglomeration of the media and resulting excesses of infotainment ensure Network's continuing sting. ~ Lucia Bozzola, All Movie Guide
 

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