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Neighbors
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Directed by John G. Avildsen
No one knows what evil lurks with the folks next door in this black comedy. Earl Keese (John Belushi) is a middle-aged suburbanite whose life is dull and uneventful, and that's just the way he likes it, though his wife, Enid (Kathryn Walker), isn't quite so happy. Earl soon learns that a new couple has just moved into the house next door, loudly leisure-suited Vic (Dan Aykroyd) and sexy Ramona (Cathy Moriarty). Earl is at once thrilled and terrified when Ramona unexpectedly attempts to seduce him, and he is quite puzzled when Vic and Ramona stop by for dinner the following evening and Ramona angrily accuses Earl of trying to take advantage of her. After an argument, Vic offers to make peace by buying dinner from a take-out restaurant. When Earl spies Vic cooking the meal in his kitchen a few minutes later, he realizes that his new neighbors are playing some sort of game with him, though he's not sure what or why. Neighbors marked the third and final screen pairing of Saturday Night Live stars John Belushi and Dan Aykroyd; Belushi died of a drug overdose three months after the film's release. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Director John G. Avildsen's deliberate miscasting of Saturday Night Live legends Dan Aykroyd and John Belushi was greeted with skepticism and piddling box-office receipts upon Neighbors' release in 1981. Years removed from its belly flop, however, the black comedy -- uneven as it is -- stands as a testament to Belushi's skill, proving that he could play a seething, constipated suburbanite as well as he could command attention as a loose-cannon hedonist. Blessed with a devious script by Tootsie scribe Larry Gelbart, Neighbors provides an effective, if self-satisfied, swipe at settling down, and it doesn't lose the courage of its satirical convictions, as proved by the film's blessedly ironic denouement. Unfortunately, Aykroyd makes a particularly enervating thorn in Belushi's side, and Avildsen tends to play up the slapstick set pieces at the expense of the film's more low-key material (the kind Belushi excels at in the opening scenes). Stunt-casting comedies like this always derive their laughs from the tension of watching an unnaturally bottled-up lead performer and waiting for the inevitable eruption. But, in Neighbors, Belushi disappears so completely into his role, it's almost disappointing to watch him flip his lid. ~ Michael Hastings, All Movie Guide
 

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